Insecurities: Tracing Displacement and Shelter at MoMA
Interior of a Better Shelter prototype in Kawergosk Refugee Camp, Erbil, Iraq.
Photo © Better Shelter
Ifo 2, Dadaab Refugee Camp.
Photo © Brendan Bannon
Makeshift shelter in Dunkirk, France.
Photo © Henk Wildschut
Middle Upper Art circumference (MUAC) measuring device.
Image courtesy Médecins Sans Frontières (Doctors Without Borders)
Radicalizing the Local: 60 Miles of Trans-Border Urban Conflict project.
Image © Teddy Cruz
Nizip II, Container Camp.
Photo © Tobias Hutzler
Design for Rabouni Camp Woven Piece.
Image courtesy of Manuel Herz and the National Union of Sahrawi Women
Makeshift shelter in Calais, France.
Photo © Henk Wildschut
Sandbag shelter by Nader Khalili.
Image courtesy the California Institute of Earth Art and Architecture
Teeter-totter Wall
Image © Rael San Fratello
Refugee Republic
Image © Submarine Channel
For more than 60 million refugees, asylum seekers, and internally displaced people around the world, “shelter” has been experienced through relentless movement and escape. Insecurities: Tracing Displacement and Shelter, which opened at New York’s Museum of Modern Art on October 1st, ponders today’s complex and tumultuous reality by calling into question the notions of safety, ownership, and permanence that the term “shelter” has typically embraced.
The powerful multi-media display—which groups works into three categories: borders, shelters, and camp-cities—comprises an assortment of images, designed objects, and artworks. Included are various photographs of camps and shelters, including structures designed by architects such as Nader Khalili and Shigeru Ban, a plastic tarpaulin sheet and water containers distributed by UNICEF, and media lab Submarine Channel’s interactive map of a refugee camp in northern Iraq. Together, the various works shed light on the scale and magnitude of the conditions brought upon by global crises. According to Sean Anderson, Associate Curator of MoMA’s Department of Architecture and Design, the aim was to “make graphic the experience of living.”
As visitors walk around the gallery, eery echoes of deep-sea ambient noise, slow electric pulses, and the whirr of engaged phone tones, arise from artist Reena Saini Kallat’s piece Woven Chronicle. Intermittent sounds of factory sirens and ship horns add to the viewers’ sense of unease, reflecting the nomadic and vulnerable nature of migrants’ journeys.
But perhaps the most visceral of the exhibition’s collection is its centerpiece: the modular emergency structure jointly designed by the IKEA Foundation, the UN Refugee Agency, and the Better Shelter organization. The roughly 190- square-foot steel-framed, polyolefin-paneled unit is accessible to viewers.To occupy the structure, says Anderson, brings up the question: “Is this an answer?”, and its counterpoint, “Is there a solution?”
Insecurities: Tracing Displacement and Shelter is on view at New York City’s Museum of Modern Art until January 22.
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