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Good Design Is Good BusinessGood Design Is Good Business 2017

CBRE Masonic Temple by Gensler

Glendale, California

By Jenna M. McKnight
CBRE Masonic Temple

In a former Masonic temple, Gensler inserted an upper-level mezzanine for realestate company CBRE, highlighting a decorative vaulted ceiling.

Photo © Ryan Gobuty / Gensler

CBRE Masonic Temple

The elegant Art Deco building was designed by Arthur Lindley and built in 1928.

Photo © Ryan Gobuty / Gensler

CBRE Masonic Temple

Two floors of the office are connected by a sculptural steel stair.

Photo © Benny Chan / Fotoworks

CBRE Masonic Temple

Image courtesy Gensler

CBRE Masonic Temple

Image courtesy Gensler

CBRE Masonic Temple

Image courtesy Gensler

CBRE Masonic Temple

Image courtesy Gensler

CBRE Masonic Temple

Photo © Ryan Gobuty / Gensler

CBRE Masonic Temple

Photo © Ryan Gobuty / Gensler

CBRE Masonic Temple

Photo © Benny Chan / Fotoworks

CBRE Masonic Temple

Photo © Benny Chan / Fotoworks

CBRE Masonic Temple

Photo © Benny Chan / Fotoworks

CBRE Masonic Temple

Photo © Benny Chan / Fotoworks

CBRE Masonic Temple

Image courtesy Gensler

CBRE Masonic Temple

Image courtesy Gensler

CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
CBRE Masonic Temple
April 1, 2017

Architects & Firms

Gensler

Jump to credits & specifications

 

As a titan in the commercial real-estate industry, CBRE wants its own offices to reflect its know-how about the market. “When we make a real-estate decision, people scrutinize it,” says David Josker, managing director of the company’s Los Angeles North office.

Several years ago, the firm embarked on relocating its Universal City office, one of seven offices in the L.A. metro area, to a larger space. Ultimately the company chose an old Masonic temple in Glendale. The decision was largely driven by a growing interest in adaptive reuse. “This is the first adaptive reuse we’ve done as a company, and we have 450 offices across the world,” says Josker.

The firm occupies the upper portion of the nine-story Art Deco tower, designed by Arthur Lindley and built in 1928. Mostly vacant since the 1950s, the property was purchased in 2015 by local builder Caruso, who hired Gensler to convert the dilapidated temple into a desirable office building.

The tower needed major upgrades. “A key goal was to expose the building’s original character, at least what was left when we arrived, and to introduce modern elements,” says Lindsay Malison, a Gensler L.A. design director.

The firm restored the concrete exterior and replaced small windows on the side elevations with bigger ones measuring 9 by 15 feet. It introduced mechanical systems and added stairs and elevators. For CBRE, it transformed the upper five floors into a 25,000-square-foot office that aligns with the company’s Workplace 360 initiative, which aims to boost collaboration, efficiency, and employee well-being. To achieve this, CBRE uses a “free-address approach,” meaning there are no assigned desks. Other measures include eliminating paper and banning eating at workstations.

Mindful of these dynamics, Gensler conceived a flexible and communal space that resembles a tech office. The most dramatic intervention occurred on the seventh floor, which contained an assembly hall with decorative wooden trusses traversing a vaulted ceiling. Oddly, the double-height space felt gloomy and cloistered. “Even though it was grand, it was really dark,” says Carlos Posada, a Gensler principal.

The new expansive windows brighten up the room and provide city views. The trusses were refurbished, and the ceiling was sheathed with faux-wood metal panels. A hung mezzanine was inserted into the volume and looks over “the Heart”—an open zone for dining and socializing, which features bleacher-style seating cum stairs and a sculptural bar where employees can munch on free, healthy snacks. Glasswalled conference rooms were placed throughout the space.

The firm created a similar atmosphere on the lower two floors. Glazed rooms and rows of workstations were situated in a double-height volume, which is bordered by an L-shaped mezzanine held up by cross-bracing. A spiral staircase with swooping white walls connects the two levels.

The new office has been a hit. A CBRE survey found that nearly all employees feel it has improved their productivity and well-being. Moreover, they are proud to bring in visitors, from high-profile clients to spouses and children. “When we started seeing family members coming through, I realized what a special place we had built,” says Josker. “That was a huge indicator that we were successful.”

Back to Good Design Is Good Business 2017


Credits

Architect:

Gensler
500 S Figueroa Street
Los Angeles, CA 90071
213.327.3600

 

Personnel in architect's firm who should receive special credit:

Andy Cohen, FAIA, Principal in Charge - registered architect
Carlos Posada, Principal in Charge
Lindsay Malison, Design Director - registered architect
Gary Downer, Job Captain
Kevin Kilmer, Design Director - registered architect

 

Engineers

Structural Engineer - Structural Focus
Civil Engineer - Peak Surveys
MEP Engineer - Davidovich & Associates

 

Consultants

Commercial Real Estate Services - CBRE
Lighting Designer - Kaplan Gehring McCarrol Architectural Lighting

 

General contractor:

WE O'Neil Construction

 

Photographer:

Benny Chan / Fotoworks

 

Specifications

Structural System

Steel encased in concrete

Manufacturer of any structural components unique to this project: Red’s Iron Specialties 661.799.9615

Exterior Cladding

Masonry: Board Formed Concrete

Roofing

Built-up roofing: Modified Bituminous Roofing
http://polyglass.us/?s=polyflex

Polyflex G

Elastomeric
http://tufflexpolymers.com/Products/

Tufflex Deckcoating 7500

Windows

Metal frame: Metal frame
http://metalwindowcorp.com/

MWC 2000 Series
 

Glazing

Glass: Glass
Vision 1” O.A. Solar Ban 70 Low Iron
Obscure Vision 1” O.A. Temp. w/ Ceramic Frit to match Dun Edwards ARC63781 on # 2 surface

Doors

Entrances: http://professional.pella.com/doors/product-details/aluminum-commercial-architect

Pella Architect Series Commercial Wood Entrance Doors

Sliding doors: http://www.panda-windows.com/products/by-type/folding-doors

Panda Thermally Broken TS.co Bi-Folding

Fire-control doors, security grilles: http://wondoor.com/why-won-door/

WON-DOOR Fire Guard CS

Hardware

Locksets: Air Loubers, Inc.
Doug Mockett
LCN
PBB Hinges
Pemko
Rixson Specialty Door Control
Rockwood Manufacturing
Schlage
SOSS Invisible Hinges
Von Duprin

Interior Finishes

Acoustical ceilings: Acoustic Ceiling Tile – Armstrong
Wood Grain Metal Acoustic Ceiling Tile – Ceilings Plus

Suspension grid: Acoustic Grid – Armstrong
Metal Acoustic Grid – Ceilings Plus

Cabinetwork and custom woodwork: SMI Architectural Millwork 714.567.0112

Paints and stains: Sherwin Williams, Scuffmaster

Wall coverings: Maharam

Plastic laminate: Formica

Solid surfacing: Caesarstone

Floor and wall tile: Spec Ceramics (pantry backsplash)

Resilient flooring: DuChateau

Carpet: Shaw

Furnishings

Office furniture: Herman Miller (systems and ancillary), Geiger (ancillary), Allermuir (ancillary)

Reception furniture: Reception furniture: Knoll

Chairs: Humanscale (task seating)

Tables: Nucraft (conference), Herman Miller (ancillary)

Upholstery: Maharam/Herman Miller/Knoll/Carnegie

Lighting

Interior ambient lighting: California Accent Lighting, Eureka, Architectural Lighting Works, Tokistar

Downlights: Coronet, Elite, Techlighting

Dimming system or other lighting controls: Daintree

Conveyance

Elevators/escalators: Elevators/escalators
Otis Elevator Gen-2 Traction

 
KEYWORDS: California

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Jenna M. McKnight is an award-winning journalist and RECORD's former news editor. She has held senior positions at print and online publications and writes regularly about architecture and design.

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