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Architecture News

Academy Museum of Motion Pictures Unveils Concepts for Exhibition Spaces in New Renzo Piano-Designed Buildings

By Alex Klimoski
1_RPBW_Academy_Museum_v3.jpg

The Academy Museum of Motion Pictures by Renzo Piano Building Workshop

Image © Renzo Piano Building Workshop / ©A.M.P.A.S. / Images from L’autry Image

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Piazza of the Academy Museum of Motion Pictures by Renzo Piano Building Workshop

Image © Renzo Piano Building Workshop / ©A.M.P.A.S. / Images from L’autry Image

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Dome of the Academy Museum of Motion Pictures by Renzo Piano Building Workshop

Image © Renzo Piano Building Workshop

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Thousand-seat theater of the Academy Museum of Motion Pictures by Renzo Piano Building Workshop

Image © Renzo Piano Building Workshop

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Aerial, Facing South

Image © Renzo Piano Building Workshop

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The Academy Museum of Motion Pictures by Renzo Piano Building Workshop

Image © Renzo Piano Building Workshop

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Model of the Academy Museum of Motion Pictures by Renzo Piano Building Workshop

Image © Renzo Piano Building Workshop

1_RPBW_Academy_Museum_v3.jpg
2_2017_03_08_Piazza.jpg
3_2017_06_05_dome_high-res.jpg
4_17-04-26_1000-seat-Theater.jpg
5_Academy-Museum_Aerial-Facing-South.jpg
6_Academy-Museum-Cross-Section.jpg
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September 27, 2017

Architects & Firms

Renzo Piano Building Workshop

Today, the Academy Museum of Motion Pictures introduced preliminary programming plans for its future location in Los Angeles’ Miracle Mile district. The museum, designed by Renzo Piano Building Workshop, will be housed within the 1939 May Company Building on Wilshire Boulevard and a new adjacent structure—a 140-foot-tall glass and steel orb accommodating a 1,000-seat theater and large terrace overlooking the Hollywood hills. Construction on the project began in 2015. 

According to Kerry Brougher, director of the Academy Museum of Motion Pictures, the concepts for the exhibition spaces were developed from a filmmaker’s perspective, as opposed to a “high-altitude film history look at cinema.”

“I think the fact that the Academy is part of the project makes it take on a different characterization than it might if it were a film museum in Milan or Paris,” he tells RECORD.

Once renovated, the six-story May Company Building will include two floors of permanent exhibition space, which will survey the evolution of movie making through large-scale screens, costumes, props, sound installations, and other items such as screenplay manuscripts and photographs. Another level will be dedicated to rotating exhibitions.

Central to the museum’s programming is the creation of immersive environments. “It’s important that the exhibitions are not just a bunch of objects in a gallery space,” says Brougher. “I wanted those objects to be brought back to life by using the moving image with them.”

To accommodate such a variegated assortment of display items and media, the architects designed the gallery spaces for maximum flexibility.

The May Company Building will be connected to the spherical structure via a series of glass bridges. The main theater within the dome will be equipped for the projection of 35mm, 70mm, and nitrate prints, enabling visitors to view films in their original state. A smaller theater will be located on the lower level of the 300,000 square-foot campus.

Of the $388 million project, which is slated for completion in 2019, Brougher says: “I hope after people go through the museum that they take away with them an understanding that cinema is the great art form of the 20th and 21st centuries—and that it’s an art form that takes collaboration.”

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KEYWORDS: Los Angeles

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Alexandrea klimoski web 2

Alex was an associate editor at Architectural Record. Prior to joining the magazine, she worked in marketing and communications for New York–based architecture firms. Her writing has appeared in the Architect’s Newspaper and CityLab. Alex holds a master’s degree in design criticism from the School of Visual Arts and a bachelor’s degree from Cornell University.

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