For Arata Isozaki, winner of the 2019 Pritzker Prize, inspiration for shaping the physical starts with the intangible. “The most interesting thing in architecture to me is receiving something invisible by the senses,” says the Japanese architect. “As art, and as urban design, I always looked for new ideas to assemble.”
Isozaki’s six-decade (and counting) career has been characterized by work that promotes dialogue between East and West—“not through mimicry or as a collage, but through the forging of new paths,” notes the Pritzker Jury in its citation.
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