This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
Paolo Portoghesi, the Italian architect and theorist whose Strada Novissima at the 1980 Venice Biennale heralded the ascendance of Postmodernism in architecture, died Tuesday at his home in Calcata, north of Rome. He was 92.
In addition to his work at the Biennale—first as the inaugural architecture curator from 1979 to 1982 and then as president from 1983 to 1992—Portoghesi designed a number of notable buildings, wrote extensively on historical and contemporary subjects, edited several major Italian publications, and taught generations of students. He was an “unusual character in the panorama of 20th-century architecture,” says Léa-Catherine Szacka, who is coauthoring a book on Portoghesi that will be published this fall. “He was a great mediator and operated with a charm and suavity remembered by many.”
You have 0 complimentary articles remaining.
Unlimited access + premium benefits for as low as $1.99/month.