One of the first completed projects from Zaha Hadid’s office since her untimely death, at 65 in March this year, the new Port House on the sprawling docks of Antwerp, Belgium, is a bravura, if distinctly eccentric work.

In Zurich, the walls of Galerie Gmurzynska’s latest exhibition, Kurt Schwitters: Merz, ripple and swell with the last art installation designed by Zaha Hadid.

Reflecting on the impact of the architect’s visionary work and larger-than-life persona.

Last Wednesday, just as a thousand people left the prayer service for Zaha Hadid at London’s Grand Mosque, it started to rain—appropriately enough at a dramatic diagonal—and not long after, as her family and friends motored in a caravan of buses to a cemetery in Surrey, the clouds parted and a double rainbow appeared.

A critic remembers a madcap Brazilian sojourn with Zaha Hadid.

Developer Robbie Antonio taps stars and starchitects for high-end prefab pavilions.

Designing a museum is nothing new for Zaha Hadid Architects. Creating one on top of Mount Kronplatz in northern Italy is something else entirely.