Commentary & Criticism

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DS+R's discreet interventions for the Costume Institute's new exhibition extend from the Metropolitan Museum of Art’s main building on Fifth Avenue to the Cloisters uptown.

The exhibition in New York examines how photography shapes perceptions of architecture.

The Korean artist’s first major East Coast exhibition traces the evolution of his idea of home through hand-sewn, fabric replicas of the places he has lived.

An exhibition at Princeton University’s School of Architecture brings to light the poetic legacy of Aldo Rossi through its selection of drawings, mixed media images, objects, photographs, films, and archival material.

A deconsecrated Boston church gets a new life as a residential building.

The Pritzker Prize-winning designer's notable work draws psychoanalytic interpretations.

Manfred Kirchheimer’s 2006 film, screening now in New York City—its first-ever theatrical run—chronicles Louis Sullivan’s creation of an American architectural aesthetic.

Frances Glessner Lee’s detailed dioramas, on view through January 28, recreate crime scenes in exquisite detail.

Architecture critic Paul Goldberger considers the influence of the late American architect, who died in late December at the age of 93.

Architecture critic Mark Lamster discusses how moving forward should not entail erasing the past.