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April 8, 2014
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Dispatch from Milan Salone del Mobile 2014: Where Architects Live

Josephine Minutillo
Josephine Minutillo
April 8, 2014
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More than any other furniture fair, the Salone del Mobile is the place for furniture manufacturers and product designers to introduce their latest creations.


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Rebuild by Design Redesigns Sandy-Battered Shore

James S. Russell, FAIA Emeritus
April 7, 2014
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A Rebuild by Design team, led by BIG, proposes a "bridging berm" at New York City's East River Park. Protective sand islands in long narrow threads would run along the Atlantic seacoast from Cape Cod, Massachusetts, to Cape May, New Jersey, in one of the most ambitious proposals unveiled last week by Rebuild by Design. The program is a high-speed, invited competition sponsored by a presidential task force, guided by the U.S. Department of Housing and Urban Development (HUD), and supported by the Rockefeller Foundation and others. The islands were among the strategies proposed by 10 interdisciplinary teams, to rebuild
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Dispatch from Milan Salone del Mobile 2014: Design Week in Preview

Josephine Minutillo
Josephine Minutillo
April 7, 2014
No Comments

The 53rd edition of the Salone Internazionale del Mobile (International Furniture Fair) officially gets underway tomorrow, but Monday in Milan is an opportunity to preview events and product introductions throughout the city center, before the trek to the Massimiliano Fuksas-designed fairgrounds in the Eastern suburb of Rho.


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Newsmaker: Stephen Selkowitz

Joann Gonchar
Joann Gonchar, FAIA
April 4, 2014
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This interview appears in the March/April 2014 issue of GreenSource. Stephen Selkowitz, photographed by Eric Millette on February 11, 2014, at LBNL's FLEXLab in Berkeley, California.  Stephen Selkowitz is leader of the windows and envelope-materials group and senior advisor for building science at Lawrence Berkeley National Laboratory (LBNL) in Berkeley, California. From 1985 to 2011, he headed LBNL’s building-technologies department, where he was the driving force behind a just-completed plug-and-play testing complex, the Facility for Low Energy Experiments (FLEXLab). Here users can mock up and evaluate the performance of proposed designs with actual building components such as cladding, windows, lighting,
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Newsmaker: James Polshek

Fred A. Bernstein
April 2, 2014
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Walking down Eastern Parkway in Brooklyn, New York, James Polshek passes what he calls “one of my greatest disappointments” (an entrance to the Brooklyn Botanic Garden that was built without a planned 50-foot tower) on the way to what he considers one of his greatest successes: the curved, glass-walled entrance to the Brooklyn Museum, which the firm, then known as Polshek Partnership Architects, completed in 2004. Polshek is so pleased that he stops to take an iPhone photo of the point at which the original McKim, Mead & White building and his cascading, translucent addition meet. Photo © Fred A.
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Denver Union Station is a "Game Changer"

David Hill
April 1, 2014
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An opening in the SOM-designed canopy over the train platform has am opening that frames the historic Denver Union Station. The neon sign on top of Denver’s historic Union Station says “Travel by Train,” a reminder of the bygone era when up to 80 trains a day would stop at the busy depot. In recent years, however, the building’s grand waiting room has sat empty except for the few Amtrak passengers waiting to catch the California Zephyr to Chicago or San Francisco.


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Review: Cool Spaces! is Cooler Than its Name

Dante Ciampaglia
Dante A. Ciampaglia
April 1, 2014
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A new television series airing on PBS will help viewers develop an appreciation for the creativity, ingenuity, and expertise that went into popular buildings. “Cool” is one of those words that has been so overused to be almost meaningless. So when a television show comes along called Cool Spaces!—with an exclamation point no less!—you’d be excused for any apprehension. But the program, a four-part series that focuses on the best new architecture in the U.S. and premieres on PBS affiliates across the country early this month, is considerably better than its title. The goal of the show, says architect/teacher/host Stephen
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Exhibition Review: Frank Gehry Curates Peter Arnell at Milk Gallery

Benjamin Solomon
March 26, 2014
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Though all the images on display in Photographs 1984-2014 by Peter Arnell at Manhattan's Milk Gallery are black and white, their contents couldn’t be more different. Outtakes from erotic fashion campaigns hang next to blurred New York City skylines. There are high-contrast photos of city crosswalks; a series of geishas in repose; close-ups of clothing out of context; the World Trade Center before and after tragedy; and a large selection dedicated to showcasing women’s feet. (In fact, Arnell’s fascination with feet has its own book.) But then, Arnell’s show at Milk isn’t your typical retrospective. The artist is better known
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Exhibition Review: Sensing Spaces at London's Royal Academy of Arts

Ali Morris
March 26, 2014
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Kengo Kuma's bamboo installation is infused with the scent of Hinoki wood and Tatami mats. "The decisions we make are not all conscious," reflects Álvaro Siza, one of seven architects invited by curator Kate Goodwin to design and install an immersive installation within the galleries of London’s Royal Academy of Arts. “What we do depends much on our experiences.” It is these subconscious memories and instinctive reactions to light, material, and space that visitors to Sensing Spaces are invited to experience first hand. The installations, with varying degrees of success, go beyond the functional and visual to explore the physical
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