Wendy Moonan

Installation view of the Los Carpinteros exhibition, Irreversible, at Sean Kelly Gallery in New York. The show runs through June 22. On Saturday, the Cuban art duo Los Carpinteros (“The Carpenters”) opened an exhibition of new work titled Irreversible. It should be called Irreverent. The show, which occupies the entire Sean Kelly Gallery in Manhattan through June 22, includes an 11-foot-wide architectural watercolor, a room-size installation involving smashed tomatoes, a video depicting a conga dance in reverse (music also in reverse), and three sculptures that look like spacecraft.The “Carpenters” are Dagoberto Rodriguez and Marco Castillo, Cuban-born artists who have worked

As of today, 9,300 people had signed an online petition demanding that Denise Scott Brown be given a retroactive Pritzker Architecture Prize as the equal partner and collaborator of her husband, Robert Venturi, who won the prize in 1991.

An egg-shaped beach bar pavilion by Los Carpinteros may have been the most popular art intervention at this year's the Art Basel Miami Beach. A wood-slat egg-shaped pavilion on the beach just steps from the Atlantic may be the most popular art intervention of the Art Basel Miami fair, which closes this Sunday. Commissioned for the fair by Absolut Vodka's "Art Bureau," the lantern-like pavilion comes with an orchestra that plays specially-commissioned music by Joan Valent outside until 11 P.M. Inside is a vodka bar, where bartenders wave martini shakers to the beat of the music. The open-air structure literally

An exhibition illustrates a full-range of design invention. George Nelson: Architect, Writer, Designer, Teacher runs until February 2, 2013 at the Yale School of Architecture Gallery. At first glance, there’s nothing too surprising about George Nelson: Architect, Writer, Designer, Teacher, the exhibition on view until February 2, 2013 at the Yale School of Architecture Gallery in New Haven, Conn. We recognize the architect’s iconic modern designs from the 1940s and 1950s – the Ball Clock, the Coconut Chair, the Marshmallow Sofa and the Bubble lamps – but upon closer scrutiny there’s a lot more to this first comprehensive retrospective devoted

Research for the book On the Water: Palisade Bay by Guy Nordenson, Catherine Seavitt, and Adam Yarinsky inspired MoMA’s 2010 exhibition Rising Currents: Projects for New York’s Waterfront The exhibition Rising Currents: Projects for New York’s Waterfront, which ran at the Museum of Modern Art in New York two years ago, provided a look into the future—and this past week, that future arrived, in the form of the catastrophic storm surge from Hurricane Sandy. In the prescient show, MoMA addressed rising sea levels resulting from global climate change. The curators chose five teams, each comprised of architects, landscape architects, and