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In 1988, at the height of the AIDS crisis, activist Vito Russo compared the epidemic to trench warfare, a nightmarish battle in which “every time a shell explodes, you look around and you discover that you’ve lost more of your friends, but nobody else notices.”
Patrik Schumacher, director of Zaha Hadid Architects (ZHA), ignited a firestorm after he outlined an eight-point manifesto meant to address London’s housing crisis.
For more than a year, New Yorkers have waited to learn the outcome of a forthcoming expansion of the Frick Collection, the beloved Manhattan institution known for its intimate scale as much as for its collection of works by Vermeer, Rembrandt, Turner, and other masters.