Since the inauguration of the heroic Waterloo train terminal in central London in 1993, architect Sir Nicholas Grimshaw has achieved a far-flung, distinctive body of work.
While four national institutions hold major collections, the crowds at blockbuster traveling exhibitions of masterworks by native artists (Hokusai) or foreign ones (Monet) have catapulted Tokyo and Japan into the front ranks of museum attendance.
Attribution keeps Architectural Record on its toes. Claims of responsibility and neglect remain fraught with conflict for our editors and the firms that we write about—the primary reason for unhappy e-mails to this publication.