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Design Vanguard

Iv'n Ju'rez & Patricia Meneses

A pair of designers working from Spain and Mexico explore the intersections between art and architecture, shelter and clothes, and the human body and space.

By David Cohn
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful trad
Tambabox
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful traditional clothing of local women and the drabness of the buildings and landscape. In response, they built a small pavilion covered with local fabrics. To invite interaction, they sewed sleeves onto many of the fabric panels, so that people could put their arms through them. The result was a 'living sculpture,' which the people filled with music and dancing during the course of the event.
Photo © Iv'n Ju'rez
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful trad
Tambabox
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful traditional clothing of local women and the drabness of the buildings and landscape. In response, they built a small pavilion covered with local fabrics. To invite interaction, they sewed sleeves onto many of the fabric panels, so that people could put their arms through them. The result was a 'living sculpture,' which the people filled with music and dancing during the course of the event.
Photo © Iv'n Ju'rez
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful trad
Tambabox
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful traditional clothing of local women and the drabness of the buildings and landscape. In response, they built a small pavilion covered with local fabrics. To invite interaction, they sewed sleeves onto many of the fabric panels, so that people could put their arms through them. The result was a 'living sculpture,' which the people filled with music and dancing during the course of the event.
Photo © Iv'n Ju'rez
Working with volunteers for this temporary intervention, Ju'rez and Meneses immersed visitors in the fragrance, color, and density of hills covered in wild, blooming fennel. The pair cut a narrow path
Pathways
Working with volunteers for this temporary intervention, Ju'rez and Meneses immersed visitors in the fragrance, color, and density of hills covered in wild, blooming fennel. The pair cut a narrow path through the fields and created various events along it: a clearing with a bed of straw 'to stop and look at the sky,' a stair 'to see the fields from above,' and a platform over an existing pond, open to a wide view. Meneses says, 'In this type of project, you discover many things that the landscape is telling you.'
Photo © Iv'n Ju'rez
The Spanish City Of Huesca invited artists and architects to intervene in its run-down historic core to draw attention to its potential. From the single tree in the courtyard of an abandoned barracks,
Dream House
The Spanish City Of Huesca invited artists and architects to intervene in its run-down historic core to draw attention to its potential. From the single tree in the courtyard of an abandoned barracks, Meneses and Ju'rez hung a cocoon for meditation that is also a symbol of rebirth. Made of a sticky, translucent plastic fabric stretched over a metal frame, it has a slit opening, some lighting, and a removable access stair.
Photo © Iv'n Ju'rez
For their last project together as Ex-Studio before Ju'rez returned to Mexico, the two architects participated in an annual event, Lausanne Gardens 09, creating a 'vegetal belvedere' that grew, bloome
Green Tower
For their last project together as Ex-Studio before Ju'rez returned to Mexico, the two architects participated in an annual event, Lausanne Gardens 09, creating a 'vegetal belvedere' that grew, bloomed, and faded through the spring, summer, and fall. The vertical garden continued the massing of an existing block of modest buildings in the old part of the city, fitting in and standing out at the same time. Built of scaffolding, it was accessible to visitors, opening views over the city on its five levels. The architects used local plants and flowers, which they grew in a nursery from seedlings.
Photo © Iv'n Ju'rez
The architects spun a gossamer cocoon for a temporary fashion showroom in a Barcelona shopping center atrium, using 3,500 filaments of nylon fishing line that fell like a fine curtain of rain from the
Showroom Bcn
The architects spun a gossamer cocoon for a temporary fashion showroom in a Barcelona shopping center atrium, using 3,500 filaments of nylon fishing line that fell like a fine curtain of rain from the 50-foot-high ceiling. Ju'rez and Meneses dropped the lines with numbered weights from a metal grid and matched them to numbered metal rings screwed into a raised wood platform. Skylights and spotlights made the filaments visible. 'The project is immaterial,' Meneses observes. 'The material is only a conduit for light; the project doesn't exist without it. And by being there, the material permits the light to be reflected, to exist.'
Photo © Iv'n Ju'rez
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful trad
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful trad
Meneses and Ju'rez joined a group of artists organized by a Swiss collective to carry out interventions in Tambacounda, Senegal. On arriving, they were struck by the contrast between the colorful trad
Working with volunteers for this temporary intervention, Ju'rez and Meneses immersed visitors in the fragrance, color, and density of hills covered in wild, blooming fennel. The pair cut a narrow path
The Spanish City Of Huesca invited artists and architects to intervene in its run-down historic core to draw attention to its potential. From the single tree in the courtyard of an abandoned barracks,
For their last project together as Ex-Studio before Ju'rez returned to Mexico, the two architects participated in an annual event, Lausanne Gardens 09, creating a 'vegetal belvedere' that grew, bloome
The architects spun a gossamer cocoon for a temporary fashion showroom in a Barcelona shopping center atrium, using 3,500 filaments of nylon fishing line that fell like a fine curtain of rain from the
December 16, 2010

Mexico City, Mexico and Barcelona, Spain

Working first together and now separately, Iván Juárez and Patricia Meneses bring two distinct sensibilities to their architecture. Their designs are mainly temporary installations that explore such essential architectural themes as shelter and the relationship of the human body to space and to the landscape. The two settled in Barcelona in 1998 after leaving their native Mexico, and they opened Ex-Studio there in 2002. In 2009, Juárez returned to Mexico to teach and run X-Studio, while Meneses continues to use Barcelona as the base for her own firm Studio Patricia Meneses.

Juárez spent a year painting and making art after finishing his studies. “Upon arriving in Barcelona, this idea arose of finding a point of encounter between art and architecture through space,” he explains. Meanwhile, Meneses “invented” clothes “that were actually pieces of sculpture,” she says. “I’m interested in the dress conceived as a personal architecture that houses us in the most intimate way.” The two began to work without commissions, making spontaneous urban interventions near their studio. Their interest in the intersection of art, body, and space can be seen in their first commissioned projects, both realized for arts festivals. The Dream House in Huesca, Spain, was a fabric cocoon hung from a tree. For the Tambabox in Tambacounda, Senegal, the architects worked with local craftspeople using local materials to create a pavilion covered in traditional fabrics with vivid colors and patterns. Many of the fabric squares have sleeves, so the human figure can occupy and animate the box, converting it into “living architecture.”

Now that the two architects are working independently, their projects underscore their personal voices. Juárez has designed an annex in the courtyard of the Eco Experimental Museum in Mexico City, in the form of a series of sculptural wooden bays that can be rearranged for different activities. Among other projects, Meneses has explored the theme of light-defined space in an exhibit pavilion in which zigzag ­methacrylate walls transmit multicolored light along their exposed edges.

Iván Juárez & Patricia Meneses

LOCATION: Mexico City, Mexico, and Barcelona, Spain

FOUNDED: Ex-Studio — 2002. X-Studio — 2009. Studio Patricia Meneses — 2009

DESIGN STAFF: Meneses— 3; Juárez — 2; PRINCIPALS: Patricia Meneses, Iván Juárez, EDUCATION: Meneses — ETSA Barcelona, M.Arch., 2004; UASLP Mexico, B.Arch., 1998. Juárez — UPC-Barcelona Tech, Ph.D., 2002; UPC-Barcelona Tech, landscape specialization, 1999; UASLP, Mexico, B.Arch., 1998

WORK HISTORY: Meneses — Ex-Studio, 2002–2009. Juárez — Ex-Studio, 2002–2009

KEY COMPLETED PROJECTS: Green Tower, Lausanne, Switzerland, 2009; Traveling Showroom, Portugal; Pathway and Landscape Observatories, Sicily, 2007; Tambabox, Tambacounda, Senegal, 2005; Dream House, Huesca, Spain, 2004.

KEY CURRENT PROJECTS: Meneses — Captured Nymph, Taipei, 2010; Light Box, Vancouver, Canada, 2011; Nature Poems, Spain and Mexico, 2011. Juárez — Multisensory Park, Mexico, 2011; Belvederes in the Mexican Desert, 2011

WEB SITES: www.x-studio.tv — www.patriciameneses.com

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David Cohn is a Madrid-based architecture critic and international correspondent for Architectural Record. His latest book, Spain: Modern Architectures in History, was released in 2025.

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