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Home » Topics » Architects » BNIM

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ARTICLES

The Reach at the Kennedy Center

The Reach at the Kennedy Center by Steven Holl Architects and BNIM

Washington, D.C.
Stephens
Suzanne Stephens
October 1, 2019
No Comments

An annex adjacent to one of Washington, D.C.'s cultural landmarks attempts to engage a larger public.


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Center for Advanced & Emerging Technology

Center for Advanced & Emerging Technology by BNIM

Omaha
Lr
Laura Raskin
June 3, 2019
No Comments

A new building at the Metropolitan Community College in Omaha has become a versatile research, development, and training resource for students and industry.


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High-Performance Facades

Continuing Education: High-Performance Facades

Michael Cockram
April 1, 2019
No Comments

Architects refine the art and science of facade design.


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BNIM Offices at Crown Center by BNIM

BNIM Offices at Crown Center by BNIM

Kansas City, Missouri
Charles Linn, FAIA
June 4, 2018
3 Comments

BNIM's transformation of its own new space in an Edward Larrabee Barnes building in Missouri leads to a more productive studio.


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Lewis Arts Complex

Steven Holl’s Lewis Arts Complex Opens at Princeton University

Raphael Mostel
October 5, 2017
No Comments

Composer Raphael Mostel, a friend and collaborator of the architect, writes about the “transformative alchemy” of the arts complex.


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Nelson-Atkins Museum of Art Bloch Galleries

Nelson-Atkins Museum of Art Bloch Galleries Renovation by BNIM and Renfro Design Group

Kansas City, Missouri
Joann gonchar1
Joann Gonchar, FAIA
Lentz
Linda C. Lentz
August 1, 2017
No Comments

New laylights provide ambient illumination throughout the galleries of a renovated museum.


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American Enterprise Group

American Enterprise Group Corporate Headquarters by BNIM

Des Moines
Joann gonchar1
Joann Gonchar, FAIA
June 1, 2016
No Comments

“Who wouldn’t want to work on a Bunshaft building?” asks architect Rod Kruse, a principal at BNIM.


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Todd Bolender Center for Dance and Creativity

February 15, 2012
No Comments
Program: A two-story, 60,000-square-foot home for the Kansas City Ballet. The project, an adaptive reuse of a coal-burning power plant from 1914, includes a performance theater, dance studios, locker rooms, administrative offices, a prefunction space, and a basement wardrobe workspace. A ballet school operates in some of the studios, offering classes to children and adults. Design concept and solution: When BNIM started work, the steel and masonry structure had been abandoned since the 1970s and was battered by structural deterioration and standing water. Since the building no longer needed to support heavy coal-processing equipment, the architects were able to brace
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