South America's largest country has long been home to a rich Modernist heritage. But under its 20-year military dictatorship and a later economic boom, that legacy was often obscured in the public realm. Now, as Brazil faces a slowing economy and pockets of civic discontent, it is stepping onto the global stage with next month's World Cup and the Summer Olympics in 2016. RECORD looks at the contemporary scene for design, planning, and infrastructure—and the opportunities and challenges for both local and international architects.
Occupying nearly half of the South American landmass and containing more than 50 percent of the continent's population, Brazil seems at first glance to be a market ripe for foreign architects.
With the centenary of her birth this year, Italian-born Brazilian architect Lina Bo Bardi (1914–1992) is finally receiving the overdue international recognition she deserves.
A proposal for the headquarters of nonprofit organization Jongo Da Serrinha will transform a warehouse into an education and cultural center in the Morro da Serrinha favela.
Angelo Bucci has run the SPBR office in S'o Paulo since 2003. He became one of the most prominent members of the young generation of architects to emerge following the end of Brazil's military dictatorship after he won, along with lvaro Puntoni and Jos Oswaldo Vilela's public competition to design the Brazil pavilion at the 1992 Seville Expo, one of the first major civic projects following the return of democracy. For political reasons, the pavilion was not built.
Arthur Casas is a graduate of the renowned architectural program at Mackenzie University in São Paulo and an heir to the city's Modernist traditions. While he is one of Brazil's most sought-after residential designers, his work also includes larger multi'family, commercial, and institutional projects.
Tucked between lushly vegetated sand dunes and the Atlantic Ocean, the Mãe Luiza favela spills out from the fringes of Natal, a city of 800,000 people in northeastern Brazil.