The Murray by Foster + Partners
Hong Kong
Built for government offices, the concrete structure is on a prominent sloping site in Hong Kong’s Central district.
Photo © Michael Weber
The Murray Hotel occupies the 1969 Murray Building, where a former parking lot deck has been opened up to reveal a new plaza, with a 120-year-old cotton tree.
Photo © Michael Weber
The building’s windows were oriented at 45 degrees to minimize solar gain.
Photo © Michael Weber
A former car ramp has been repurposed as a pedestrian walkway, which snakes behind the building’s arches.
Photo © Michael Weber
The hotel’s new entrance and lobby were carved out of a “found space” beneath this feature.
Photo © Michael Weber
A restaurant on the mezzanine level looks onto new terraces and landscaping.
Photo © Michael Weber
The hotel’s rooms were configured to accommodate the building’s 45-degree sawtooth perimeter.
Photo © Michael Weber
Image courtesy Foster + Partners
Image courtesy Foster + Partners
Image courtesy Foster + Partners
Image courtesy Foster + Partners
Image courtesy Foster + Partners
Image courtesy Foster + Partners
Architects & Firms
Built for the Public Works Department and other Hong Kong government offices, the Murray Building stood out for its height—a then-towering 27 stories—and the sculptural grid of its facades when it opened in 1969. Designed by British-born government architect Ron Phillips, the building was an elegantly robust concrete block lifted on arches, prominently sited in the Central district at the foot of the slopes leading up to the city’s famed Peak. It was as much a Modernist icon as Hong Kong ever produced.
But late last year, this relic of a bygone era was recast in the image of our current age—as a 336-room luxury hotel called the Murray. The renovation, led by Colin Ward and Armstrong Yakubu of Foster + Partners, remakes the building with all the luxed-up finishes the hotel’s upscale clientele might expect. But it also deftly corrects some of the original building’s shortcomings, in ways that give something back to the city as well.
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True to its time, the 1969 structure embodied conflicting notions of progress. On the one hand, its powerful facade of deeply recessed windows, oriented at 45 degrees to minimize solar gain, argued for passive cooling in a subtropical city that has since become a thicket of hermetically sealed, air-conditioned glass towers.
But another prominent design feature—a car ramp—celebrated the primacy of the automobile, dramatically snaking around the building’s core from behind its arcades. The ramp inventively connected the project to the tangle of roads around it while resolving the site’s steeply pitched grade—yet cut the building off from pedestrians and, paradoxically, the street.
The architects were sympathetic to Phillips’s work, going so far as to consult their predecessor on the redesign. “We gave him a red marker, and he went at it,” Ward says jokingly of Phillips who, at 90, lives in the United Kingdom and “remains an impassioned Modernist.” Still, there’s always room for improvement, and the conversion presented an opportunity to make what was once fortresslike more open to the city.
To begin with, Ward and his colleagues carved out a new entrance. Arriving at the hotel’s lobby and bar on the ground floor, one has little sense that it’s “sort of a found space,” Ward says. “It was back-of-house, plant rooms, buckets, mops, worn-out typewriters—you name it, it was stored there.”
Clad in white Calcutta and black marble, and screened in golden extruded-metal fins, the now generously glazed lobby shows off the kind of ruthless chic that Foster + Partners is known for. But it also opens the building toward the street, with a new plaza that creates much-needed public space. Meanwhile, the lobby soars to double-height from beneath the former car ramp, which has been repurposed as an ample pedestrian walkway, offering De Chiricoesque views from behind the building’s arches as it winds its way up in the direction of a new outdoor event space.
With its restaurants, the mezzanine level—which, due to the sloping site, also serves as an upper ground floor and secondary lobby—further strengthens the building’s links with its site. Just outside, what was once a parking lot deck (“a sea of cars,” Ward recalls) has been pulled back and transformed into black-granite-paved terraces that open to the new plaza area below. The move also liberated a protected 120-year-old cotton tree, which had long suffered the indignity of having to poke through a hole in the deck. “It was being strangled,” Ward says.
The end result is a series of interlocking outdoor spaces on multiple levels, linked by bridges, stairs, and ramps, that begins to stitch together the site’s complex topography with that of its neighbors, which include Hong Kong Park, the 1849 St. John’s Cathedral, and, a stone’s throw away, I.M. Pei’s Bank of China tower and Foster’s iconic HSBC building. Indeed, what was once an impenetrable block now acts as an intimate nexus of urban space, “a completely public walk-through that we hope becomes part of the mind map of the city,” Ward says.
Just as urbanistic, though perhaps not as public, is the firm’s rejiggering of the building’s roof. The architects convinced the client, Wharf Holdings—a large Hong Kong developer not previously known for extravagance—to move the mechanical plant, at great cost, from atop the building to a new pavilion at ground level, in order to make room for a rooftop restaurant and bar with near wraparound views of the city.
But perhaps the renovation’s key design decision was also the most obvious. Early on, Ward was unsure how the hotel rooms would be configured, given the 45-degree sawtooth of the building’s perimeter. The solution was simply to orient the rooms at the same angle. “Silly as it sounds, that was the Eureka moment,” Ward says. “We understood the building now. We’d work with it, and not fight it.”
CreditsArchitect: Foster + Partners, Riverside, 22 Hester Road, London SW11 4AN, United Kingdom +442077380455
Personnel in architect's firm who should receive special credit: Norman Foster, Luke Fox, Armstrong Yakubu, Colin Ward, Andy Lister, Stefano Cesario, Tim Dyer , Lawrence Wong, Won Suk Cho, Benjamin Stevenson, Carl Bonas, Amy Butler, Charlotte Gallen, Catt Godon, Manuela Guidarini, Tanja Heath, Abbie Labrum, Harry Twigg, Bong Yeung
Architect of record: Wong & Ouyang (HK) Ltd, 27/F, Dorset House, Taikoo Place, 979 King's Road, Hong Kong +8522968-1881
Interior designer: Foster + Partners
Engineers: Structural: Wong and Ouyang Civil Structural Engineering Mechanical: Wong and Ouyang Building Services Lighting: Tino Kwan Lighting
Consultants Façade Consultant: Inhabit Cost Consultant: Rider Levett Bucknall Landscape Consultant: Urbis Acoustics Consultant: Campbell Shillinglaw Lau Ltd
General contractor: Gammon Engineering & Construction Company Limited |
SpecificationsStructural System Substructures, structural steel frames and reinforced concrete structure: Gammon Engineering & Construction
Exterior Cladding Metal panels: Gammon Engineering & Construction Metal/glass curtain wall: Entasis Ltd. Other cladding unique to this project: Neues Sputtering Platinum gold colour vibration finish stainless steel panels: Tsukiboshi Art Co. Ltd/ Chiling Architectural Metal Ltd.
Roofing Built-up roofing: Gammon Engineering & Construction
Windows Metal frame: Typical façade window aluminium extruded frame: Entasis Ltd.
Glazing Glass: Typical window integrated glazing unit: SYP Glass, Entasis Podium and roof glazing panels: CSG, Guardian / GnT Glass, Entasis Skylights: Pavillion skylight: CSG/ GnT Glass, Entasis
Doors Entrances: Bespoke stainless steel cladded framed glass doors: Entasis Fire-control doors, security grilles: Entasis
Interior Finishes Acoustical ceilings: Podium ceiling: Bespoke aluminium extruded slatted ceiling: Pat Davie Ballroom ceiling: Philips Luminous textile panel with Ginger 2 fabric by Kvadrat soft cell Demountable partitions: Level 2 Function Rooms: Flexifold Level 25 Ballroom: Hufcor Cabinetwork and custom woodwork: Pat Davie, Permesteelisa Hong Kong, BSc Interior Contract and Engineering Wall coverings: Tat Ming Wallpaper Paneling: Calacatta marble wall panels: Pat Davie/ Permesteelisa HK/BSc Interior Contract and Engineering Travertine wall panels at rooftop: BSc Interior Contract and Engineering Bespoke ribbed leather wall at level 2: Pat Davie Solid surfacing: Krion Floor and wall tile: Washroom: Ariostea large format tiles Resilient flooring: Gym flooring: Remp Planway UR/ Pat Davie Carpet: Argent Carpet flooring: Noir Du Roi floor marble slabs at Podium and ballroom levels: Pat Davie / Permesteelisa HK Grey natural stone flooring at presidential suites and rooftop levels: Pat Davie/ BSc Interior Contract and Engineering Timber flooring: Schotten & Hansen, Inifinity JEB Architectural Finishes Special interior finishes unique to this project: Bespoke cast glass tile screens in podium and rooftop: Fabbian Bespoke hand crafted glass features at podium bar and presidential suite rooms: Lasvit Etched stainless steel lift doors: Tsukiboshi Art Co. Ltd/ Chiling Architectural Metal Ltd.
Furnishings Office furniture: Bespoke desk and tables: Permesteelisa HK Reception furniture: Bespoke natural stone top reception desk: Pat Davie Bar and restaurants: Banquette seating: Permesteelisa HK Upholstery: Leather: Alma Leather Chairs and sofas: Function room: Task Chair Cordia, Leo Lübke began: COR Bar: Letizia Chair, Gastone Rinaldi: Poltrona Frau Bar: Valeria Stool: Andreu World Lobby: Lounge Seymour Low Sofa, Rodolfo Dordoni: Minotti Rooftop: Executive Chair, Eero Saarinen: Knoll Rooftop: Aston Lounge Poltroncina: Minotti Rooftop: Aston Sofa, Rodolfo Dordoni: Minotti Presidential Suites: Allen Sofa and stool, Rodolfo Dordoni: Minotti Presidential Suites: Aston Armchair, Rodolfo Dordoni: Minotti Presidential Suites: Aston Desk chair, Rodolfo Dordoni: Minotti Presidential Suites: Ellis sofa: Content by Terrace Conran Presidential Suites: Fri Chair: Fritz Hansen Presidential Suites: Grace chair: Porada Presidential Suites: Platner Stool: Knoll Tables: Presidential Suites: Leaf table, Luca Martorano: Neutra Presidential Suites: Fulton Writing Desk, Rodolfo Dordoni: Minotti Presidential Suites: Eros Marble Side Table: AgapeCasa Presidential Suites: Planter Side table: Knoll Presidential Suites: Panther Desk: Ochre Presidential Suites: Mad Dining Table: Poliform Presidential Suites: Tray table: Fritz Hansen Rooftop: Marble top Arc Table, Foster + Partners, Molteni Bespoke restaurant and coffee tables: Permesteelisa HK/BSc Interior Contract and Engineering Other furniture: Bespoke service stations, Foster+Partners design: Permesteelisa HK/BSc Interior Contract and Engineering Bespoke bed with combined seat, Foster+Partners design: Permesteelisa HK Bespoke wall hung Ottoman and footrest: Pat Davie Bespoke window benches, Foster+Partners design: Pat Davie Bespoke wall hang credenza, Foster+Partners design: Pat Davie/ Permesteelisa HK
Lighting Interior ambient lighting: Presidential Suite: Table Lamp, Louis Poulsen Presidential Suite: Tab LED T: FLOS Presidential Suite: Taccia Small: FLOS Presidential Suite: Droplets pendant lighting: Lasvit Podium bespoke pendant lighting, Foster+Partners design: Pat Davie, Permesteelisa Hong Kong Rooftop bespoke light features: Fabbian Rooftop Pendant lighting: ORSA Artemide, Foster + Partners Downlights: ModuleX, Iguzzini Tasklighting: Exterior: Iguzzini Dimming system or other lighting controls: Lutron
Conveyance Elevators: Schindler
Plumbing Taps: Dornbracht and Vola Toilet: Toto and Duravit |
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