The clients had been attracted to the building’s mid-20^th-century origins, and they requested a material palette befitting the kind of high-end Modernist interiors they might see in an episode of Mad Men. Of the historically appropriate finishes presented to them, they instantly gravitated toward walnut. But to keep the interior from appearing too dark, the wood was used only around the stairwell. In addition, the architects used contrasting 2-foot-square terrazzo tile—flecked in copper, gold, and green—to provide durability as well as the aesthetic the client hoped for.

Flooring is terrazzo in most owner-occupied spaces, including the primary bath. Photo © Olivier Blouin

DBA had completed multiple residential and commercial commissions for Rubino’s family and, over their extended relationship, the studio namesakes noticed how the couple placed a uniquely high priority on cleanliness and precision. Appealing to their exacting personalities, DBA specified the terrazzo tile for both upper floors and employed a 2-foot-by-2-foot grid for all millwork, so that casework joints and bookshelf dividers would align to grout lines in the tile. The architects coordinated remaining finishes with the colors of the terrazzo chips. In the primary bathroom, for example, wall-mounted copper faucets serve a pair of green ceramic washbasins that sit atop a thin slab of Verde Saint Denis marble. Wool felt covers several bathroom walls for acoustical dampening.

Considering the client’s vision of a speakeasy and their love of order, the architects designed a narrow U-shaped kitchen work area that effectively prevents anyone from entering while the homeowner is preparing cocktails or a meal. Instead, family or guests can ease up to a copper-edged counter, where DBA placed walnut stools. All equipment is integrated into the casework and, where possible, concealed by lacquered white cladding. These custom fronts, in turn, are a close match to the snowy hue of the sintered-stone counter top.

Click plan to enlarge