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Atop an arrow-shaped community center designed by Adjaye Associates, an expansive perforated steel canopy by indigenous Australian artist Daniel Boyd filters refracted light onto a public plaza in Sydney. Inspired by notions of shelter and placemaking during both the country’s colonial period and the present day, the new building and plaza offer passersby a reprieve from the city’s hustle and bustle and a connection to the area’s origins. The timber-and-steel community center, whose form references the pitched-roofed houses of the early settlers, includes a café, a vaulted gallery, and an indoor/outdoor viewing platform. Suspended from a series of trusses and supported by a steel column, the 9,800-square-foot rectangular overhang is composed of 72 panels, punctured with mirror-lined circular apertures that create a cosmic mosaic on the pavement below. “It provides a space of contemplation and diversity for a multiplicity of experiences and narratives currently extending back 60,000 years,” says the artist, who is of Kudjla/Gangalu descent. “Acknowledging that we can never fully comprehend our past or future is the first step in reconciling differences of perception.”

Photos © Trevor Mein, click to enlarge.

George Street Plaza and Community Building.
George Street Plaza and Community Building.
George Street Plaza and Community Building.
George Street Plaza and Community Building.
George Street Plaza and Community Building.
George Street Plaza and Community Building.