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Found in Translation

By Naomi Pollock, FAIA
A concrete arch frames the view of the Mexican city, while serving as a kind of modern torii, or Japanese gate. The master-bedroom suite opens onto the pool terrace.
Found in Translation
Monterrey
A concrete arch frames the view of the Mexican city, while serving as a kind of modern torii, or Japanese gate. The master-bedroom suite opens onto the pool terrace.
Photo © James Silverman
A 157-foot-long infinity pool reaches out beyond the hillside to the valley below.
Found in Translation
Monterrey
A 157-foot-long infinity pool reaches out beyond the hillside to the valley below.
Photo © James Silverman
A pair of triangular courtyards contained within the center of the plan help anchor the private areas while bringing in daylight and outdoor views.
Found in Translation
Monterrey
A pair of triangular courtyards contained within the center of the plan help anchor the private areas while bringing in daylight and outdoor views.
Photo © James Silverman
The library, which looks onto one of the courtyards, helps connect the public and private zones and is one of the most dramatic spaces in the house. The complex relationship between indoors and out ha
Found in Translation
Monterrey
The library, which looks onto one of the courtyards, helps connect the public and private zones and is one of the most dramatic spaces in the house. The complex relationship between indoors and out has been a hallmark of Ando's work throughout his career but finds a rich new expression here in Mexico on a site that sits within a national park.
Photo © James Silverman
The library, which looks onto one of the courtyards, helps connect the public and private zones and is one of the most dramatic spaces in the house. The complex relationship between indoors and out ha
Found in Translation
Monterrey
The library, which looks onto one of the courtyards, helps connect the public and private zones and is one of the most dramatic spaces in the house. The complex relationship between indoors and out has been a hallmark of Ando's work throughout his career but finds a rich new expression here in Mexico on a site that sits within a national park.
Photo © James Silverman
The house's Z-shaped plan helps negotiate the transition from public to private zones, with visitors arriving and spending most of their time on the top two floors and the clients being able t
Found in Translation
Monterrey
The house's Z-shaped plan helps negotiate the transition from public to private zones, with visitors arriving and spending most of their time on the top two floors and the clients being able to retreat to their bedrooms on the bottom level.
Image Courtesy James Silverman
A concrete arch frames the view of the Mexican city, while serving as a kind of modern torii, or Japanese gate. The master-bedroom suite opens onto the pool terrace.
A 157-foot-long infinity pool reaches out beyond the hillside to the valley below.
A pair of triangular courtyards contained within the center of the plan help anchor the private areas while bringing in daylight and outdoor views.
The library, which looks onto one of the courtyards, helps connect the public and private zones and is one of the most dramatic spaces in the house. The complex relationship between indoors and out ha
The library, which looks onto one of the courtyards, helps connect the public and private zones and is one of the most dramatic spaces in the house. The complex relationship between indoors and out ha
The house's Z-shaped plan helps negotiate the transition from public to private zones, with visitors arriving and spending most of their time on the top two floors and the clients being able t
April 16, 2013
Monterrey

With a house that zigzags down a lush hillside in Monterrey, Tadao Ando shows that his modern Japanese aesthetic can find new meaning in a contemporary Mexican context.

Photo © James Silverman

Tadao Ando's first house in Mexico is a perfect blend of cool, Japanese elegance and sultry, sun-drenched space. Located within the Cumbres de Monterrey National Park, the home consists of two volumes. While a square ring containing the private zone is embedded in the hillside, a Z-shaped component for guests forms the top of the three-story building.

Commissioned as a primary residence by a couple with three children, the 16,350-square-foot house is only a 10-minute drive from the city. But it seems much farther, thanks to the site's lush greenery and spectacular view of the Sierra Las Mitras Mountains. Integrating terraces and outdoor spaces, Ando's scheme maximizes this scenery while preserving his clients' privacy.

The house starts with an enclosed car park. An independent structure, it is tied to the main building by a service drive and an angled walkway leading to the primary entrance on the third floor. On entering, visitors take a set of stairs down to a gallery, which leads to a guest dining room slicing across the square ring at a 45-degree angle. From there, more stairs take them down to a library. Flanked by triangular courtyards, this book-lined retreat is the center of the family quarters, which also include a kitchen, dining room, wine cellar, gym, and children's bedrooms, plus a master suite that opens onto an expansive terrace featuring a dramatic “infinity pool.” Measuring 157 by 20 feet, the pool reads as a rimless sheet of water that extends out seamlessly from the building's edge.

Undoubtedly, Ando's exquisite detailing and exposed concrete—the main material both inside and out—were not easy to replicate in Mexico. But that didn't stop the client. “He gathered skilled hands and created his own construction company,” explains Ando. And as a result, he has a home that evokes Japan but is deeply wedded to its Mexican site.

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Contributing Editor Naomi Pollock, FAIA, is the author of Japanese Design Since 1945: A Complete Sourcebook and the forthcoming Vanishing Japan: Modern Architecture Gone But Not Forgotten,

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