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ProjectsBuildings by TypeHospitality Projects

Park Hotel Hyderabad

A trapezoidal structure wrapped in a jewellike screen offers an adventurous yet serene ambience.

By Uttiya Bhattacharya
At the Park Hotel, SO M designed the recreational spaces, such as the infinity edge pool, atop a three-level podium at the open corner of the trapezoidal volume.
Park Hotel Hyderabad
SOM
Hyderabad, India
At the Park Hotel, SO M designed the recreational spaces, such as the infinity edge pool, atop a three-level podium at the open corner of the trapezoidal volume.
Photo © Pallon Daruwala
Solar gain is reduced by an aluminum screen filigree, and insulated glass units are recessed behind the metal skin. The cantilevered portion of the carved-out volume also acts as a canopy for the cour
Park Hotel Hyderabad
SOM
Hyderabad, India
Solar gain is reduced by an aluminum screen filigree, and insulated glass units are recessed behind the metal skin. The cantilevered portion of the carved-out volume also acts as a canopy for the courtyard and pool that sit atop a three-story podium.
Photo © Bharath Ramamrutham
A vehicle entry leads to underground parking.
Park Hotel Hyderabad
SOM
Hyderabad, India
A vehicle entry leads to underground parking.
Photo © Bharath Ramamrutham
The podium- credits level courtyard accommodates outdoor dining, which is enlivened by the changing colors of LED s behind the aluminum screens.
Park Hotel Hyderabad
SOM
Hyderabad, India
The podium- credits level courtyard accommodates outdoor dining, which is enlivened by the changing colors of LED s behind the aluminum screens.
Photo © Robert Polidori
The main lobby, located on the third level, features leather panel walls, floors of Australian white marble with silver metallic tile (in the center), and a custom glass chandelier.
Park Hotel Hyderabad
SOM
Hyderabad, India
The main lobby, located on the third level, features leather panel walls, floors of Australian white marble with silver metallic tile (in the center), and a custom glass chandelier.
Photo © Robert Polidori
In the Ruby Lounge, a semicircular banquette in macassar ebony wood with red velvet upholstery is enclosed by antiqued mirror glass with motifs similar to those seen in 18th-century Indian paintings.
Park Hotel Hyderabad
SOM
Hyderabad, India
In the Ruby Lounge, a semicircular banquette in macassar ebony wood with red velvet upholstery is enclosed by antiqued mirror glass with motifs similar to those seen in 18th-century Indian paintings. The ceiling features Kalamkari fabric panels by Preksha Baid.
Photo © Robert Polidori
Windows that peek through the bands of the perforated aluminum screens in certain guest rooms permit views of Hussain Sagar Lake to the east. The interior design firm for the rooms, Chhada Siembieda A
Park Hotel Hyderabad
SOM
Hyderabad, India
Windows that peek through the bands of the perforated aluminum screens in certain guest rooms permit views of Hussain Sagar Lake to the east. The interior design firm for the rooms, Chhada Siembieda Australia (CSA), based in Sydney, opted for jewel-tone accents on a light-colored backdrop.
Photo © Robert Polidori
SOM designed an area rug for a lobby lounge. A 'splash table' by Rajiv Saini reflects the Charminar-inspired chandelier by Preksha Baid.
Park Hotel Hyderabad
SOM
Hyderabad, India
SOM designed an area rug for a lobby lounge. A 'splash table' by Rajiv Saini reflects the Charminar-inspired chandelier by Preksha Baid.
Photo © Pallon Daruwala
Park Hotel Hyderabad
Park Hotel Hyderabad
SOM
Hyderabad, India
Image courtesy SOM
Park Hotel Hyderabad
Park Hotel Hyderabad
SOM
Hyderabad, India
Image courtesy SOM
Park Hotel Hyderabad
Park Hotel Hyderabad
SOM
Hyderabad, India
Image courtesy SOM
At the Park Hotel, SO M designed the recreational spaces, such as the infinity edge pool, atop a three-level podium at the open corner of the trapezoidal volume.
Solar gain is reduced by an aluminum screen filigree, and insulated glass units are recessed behind the metal skin. The cantilevered portion of the carved-out volume also acts as a canopy for the cour
A vehicle entry leads to underground parking.
The podium- credits level courtyard accommodates outdoor dining, which is enlivened by the changing colors of LED s behind the aluminum screens.
The main lobby, located on the third level, features leather panel walls, floors of Australian white marble with silver metallic tile (in the center), and a custom glass chandelier.
In the Ruby Lounge, a semicircular banquette in macassar ebony wood with red velvet upholstery is enclosed by antiqued mirror glass with motifs similar to those seen in 18th-century Indian paintings.
Windows that peek through the bands of the perforated aluminum screens in certain guest rooms permit views of Hussain Sagar Lake to the east. The interior design firm for the rooms, Chhada Siembieda A
SOM designed an area rug for a lobby lounge. A 'splash table' by Rajiv Saini reflects the Charminar-inspired chandelier by Preksha Baid.
Park Hotel Hyderabad
Park Hotel Hyderabad
Park Hotel Hyderabad
December 16, 2011

Architects & Firms

Skidmore, Owings & Merrill

Hyderabad, India

While India's Park Hotel group has forged a reputation over its 44-year history for boutique luxury establishments, its brazenly sculptural, 270-room hotel in Hyderabad is the first it has built from scratch. Priya Paul, who heads the hotel group as part of her family's conglomerate, Apeejay Surrendra, wanted to make a bold architectural statement in the center of the city on a tight site (2¼ acres) that exemplifies the dualities of India: It is across the street from a busy, noisy railroad station, but overlooks the serene Hussain Sagar Lake.

Although Hyderabad, in southern India, is known as a software development hub, Paul felt the design should express the city's centuries-old tradition of crafted jewelry associated with its pre-Independence Nizam rulers. “She considers jewelry making the essence of Hyderabad,” says Roger Duffy, of Skidmore Owings & Merrill (SOM)'s New York office, the architect for the hotel. Similarly, the client suggested to the architects that the building's opulent interiors reflect the contributions of local artisans and artists.

Paul turned to SOM to take on this assignment, notes Duffy, because she was convinced that American architects would make sure the project would be constructed with more attention to quality than has often been the case with newly built Indian hotels.

In response to zoning and height restrictions, SOM designed a trapezoidal volume, placing the six floors of guest rooms on top of a three-story podium containing shops and offices. (Parking is located in three levels below grade.) The architects then carved out the center of the trapezoid so that the third level of the podium would have an open courtyard—for a veranda and swimming pool—and be surrounded by the main lobby, lounges, and restaurants. Three sides of the trapezoidal volume wrap around the courtyard, protecting it from strong winds in the monsoon season, but allowing its veranda to benefit from lake breezes in hot weather. The infinity-edge swimming pool atop the podium takes advantage of the height: Not only are visitors shielded from the dust and noise of the railroad station, but the pool seems to stretch eternally into the lake and the city beyond.

The building's reinforced-concrete frame structure is supplemented with two long-span steel trusses to afford column-free spaces—one in the banquet hall; the other to enable a block of rooms to cantilever over the podium where it shields parts of the open areas from the sun.

To reduce solar gain and glare, and to address Paul's wishes, SOM employed a layering approach and looked at the local metalworking tradition for the design of a jewellike exterior skin of perforated and embossed aluminum. The metal-panel screen is installed in front of laminated, insulated, low-E glass windows with acoustical properties. The skin not only affords privacy for the guest rooms, but the architects shaped its openings to allow occupants to have spectacular views of the city and the lake. By night, LED panels inserted between the glass and the screens illuminate the building with vibrant hues.

The presence of the courtyard and veranda allude to India's colonial architecture; the restaurants, bars, clubs, spa, and guest rooms represent a striking mix of efforts by international design firms, including Conran & Partners, and local artisans who created such items as the glittering chandeliers and luminescent furnishings. SOM concentrated on the interior design of the street-level and main lobbies, banquet halls, shops, and the podium's lounges, veranda, and swimming pool.

The orientation of the building on its site and the design of the metal screen have reduced energy needs of the hotel by almost 30 percent, say the architects. Because of such strategies, in late 2010, the Park Hotel became India's first LEED Gold certified hotel.

To come into the hotel is to leave behind the bustle, sprawl, and dust of the city and enter a magical, beautifully crafted space. The nuanced gestures of the design connect the inside to the outside, the building to the city, and the site to the lake. The translation of the diverse challenges of energy savings, climate, privacy, and symbolic allusions to place have resulted in a singular work. The hotel's success in responding to its environmental and cultural contexts can be attested by the reaction of the client: Paul has enlisted SOM to design another Park Hotel in Calcutta.

Total construction cost: Withheld

Completion Date: April 2010

Size: 531,550 square feet

People

Owner: Apeejay Surrendra Park Hotels

Architect 
Skidmore, Owings & Merrill LLP
14 Wall Street
New York, NY 10005
212-298-9300
Fax: 212.298.9461

Personnel in architect's firm who should receive special credit:
Roger Duffy, FAIA, Design Partner
Peter Magill, AIA, Managing Partner
Stephen Apking, FAIA, Interior Design Partner
Mark Igou, AIA, Managing Director
Thomas Behr, AIA, Project Manager
Peter Lefkovits, AIA, Senior Design Architect
Eric Van Epps, AIA, Senior Technical Architect
Kwong Yu, AIA, Technical Architect
James Kraus, AIA, Technical Architect
Madeleine Deschamps, Senior Materials Coordinator 

Architect of record:
Local Architect/ Architect of Record
Apeejay Surrendra Park Hotels

Interior designer: SOM executed the lobbies, public spaces, retail, veranda, and banquet halls in collaboration with local artists and craftsmen. Many other local and international interior designers were involved with the project.

Engineer(s)
Structural Engineering:
Skidmore, Owings & Merrill LLP
14 Wall Street
New York, NY 10005
Charles Besjak, SE, PE, Director
Preetam Biswas, PE

Local Structural Engineer:
Semac Private Limited
B-6/23 Shopping Centre, Safdarjung Enclave,
New Delhi 110 029

Local MEP Engineer:
Spectral
A-197, Sector - 63
Noida

Consultant(s)
Lighting:
ILD
4222 Glencoe Avenue
Suite 200
Marina del Ray, CA 90292
United States

Acoustical:
Cerami & Associates, Inc.
404 Fifth Avenue
New York, NY 10018
P 212 370 1776
F 212 370 1736

Other:
Traffic Consultant:
Engg & Planning Consultant
241 Somdutt Chamber II, Bhikaji Cama Place
New Delhi 110 066

Geotechnical Engineer:
Nagadi Consultants
60 Manovikas Nagar, Opp – NIMH
Secunderabad 9

Energy Simulation:
Environmental Design Solutions
657 A/C, VASANT KUNJ
New Delhi, India
Civil Contractor:
Consolidated Construction Consortium Ltd.  (CCC)
B-16, Vikrampuri Colony, Vikrampuri
Secunderabad - 500 009

Photographer(s)
Robert Polidori, © Robert Polidori, 212-229-0761

Pallon Daruwala, © Pallon Daruwala, Mobile:  +91 98803 99333, pallonimages@gmail.com

CAD system, project management, or other software used:
AutoCAD
Rhino
3DMAX
Digital Project
Ecotect
IES
Radiance

 

Products

Structural system
Concrete Structural Framing 9 meter column bay,
Steel Vierendeel Trusses at level 3 (over Banquet rooms) and level 8 cantilever

Exterior cladding
Metal Panels: Alpolic Aluminum Composite Panels (Spandrel panels at Curtain Wall)

Metal/glass curtain wall:
Permasteelisa (India), Pvt. Ltd. (Curtain Wall, Perforated and Embossed Metal Screens)
Contact: Muthukrishnan. G, Project Manager
email: muthukrishnan.g@permasteelisagroup.com,
mobile: 91 773 8345 627

Global Tech Design Pte. Ltd. (Part of Permasteelisa Group - Specialist Sub- Contractor for the All Glass Connector on Level 3)

Curtain wall: Permasteelisa (India), Pvt. Ltd.

Roofing
Elastomeric: Fosroc Chemical (India) Pvt. Ltd. (need to verify)

Glazing
Glass: Manufacturer of the glazing within the curtain wall:
CSG Architectural Glass (China Southern Glass)

Skylights: Manufacturer of the glazing at the All Glass Connector on level 3, CSG Architectural Glass (China Southern Glass)

Insulated-panel or plastic glazing:
Manufacturer of swimming pool acrylic skylight & window:
Reynolds Polymer Technology, Inc.
Contact: Chris Trevathan, National Sales Manager
email: ctrevathan@reynoldspolymer.com
Celeste Backest, Project Sales /Contract Administrator
email: cbackest@reynoldspolymer.com
#: 970.241.4700

Local Sub-contractor/ Installer:
Matsyam Aquatic Garden
Contact: Mahesh Mohatta, Technical Director
email: mahesh@matsyam.com
Mobile- +91 9825066051

Doors
All Glass Entrance Doors: Ariam Door Controls - Dorma India Pvt. Ltd.

Circular sliding doors: Ariam Door Controls - Dorma India Pvt. Ltd.

Interior finishes
Solid surfacing: DuPont Corian : Street Lobby reception desk and feature wall

Carpet:
Hotel Lobby area carpets: Tai Ping SOM design and custom wool carpets

Banquet Hall: Tai Ping SOM design and custom wool carpets

Furnishings
Fixed seating: In Hotel Lobby: Moroso

Lighting
Exterior: OSRAM LED Lighting Fixture between perforated and embossed metal screens and curtain wall Light fixture installed by Permasteelisa (India)

Add any additional building components or special equipment that made a significant contribution to this project:
Perforated and embossed metal screens over a high-performance glazing & curtain wall system (fabricated and installed by Permasteelisa)

 
KEYWORDS: India

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