Last month Architectural Record visited Tadao Ando, Hon. FAIA, in his office in Osaka, Japan, and talked with him about the nature of architecture and creativity, and his view of architecture within a changing global landscape.
In 1991, when Times Square seemed a permanent crime scene, Rosanne Haggerty envisioned a system that could save the neighborhood, its historic buildings, and—most importantly—its homeless people.
On the occasion of the 2001 Aga Khan Award for Architecture, Robert Ivy talked with His Highness the Aga Khan about the architectural, social, and environmental issues facing Islam today.
Piano comments on the WTC disasterIn an interview published in the Italian newspaper La Repubblica on September 21, Piano spoke about skyscraper design in the wake of the World Trade Center attacks.
"After 50 years, you shouldn't do the same thing," says Philip Johnson, FAIA, describing his recent design for a multidomed, Byzantine-inspired addition to the Robert C. Wiley House, a chaste, Modernist box he designed in 1956.
Bruce Mau relishes problems. He may be best known for his graphic design of books and other publications, but don’t call Mau a graphic designer. Viewing design in far broader terms, Mau has collaborated with architects, filmmakers, and performance artists, and has designed videos, exhibitions, and graphic identities for buildings and companies.
Having worked together since 1977 and been partners since 1986, Williams and Tsien (who are married to each other) have developed a practice known for its lyrical designs that bring out the humanity in institutional buildings and highlight the poetic in residential ones.
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