Channeling Facebook's startup culture, Frank Gehry creates a mammoth, vibrant warehouse for the social-media company.

The bucolic backdrop of the recently opened Fondation Louis Vuitton, set within Paris’s Bois de Boulogne park, inspired a garden building in the tradition of Joseph Paxton’s long-destroyed Crystal Palace. Like that famous structure, erected in London’s Hyde Park in 1851, Frank Gehry’s billowing new museum features vast expanses of glass.

The Fondation Louis Vuitton (FLV), designed by Frank Gehry, may appear transparent, but it is a building that doesn’t easily give up its secrets.

A museum becomes an instant icon for a developing nation while upping the ante for design excellence.

Frank Gehry’s New World Center (NWC) in Miami’s South Beach, and Walt Disney Concert Hall in Los Angeles [RECORD, November 2003, page 134], are at once similar yet quite different.

At the Art Gallery of Ontario (AGO), Frank Gehry plays hockey with architecture, turning it into a game of speed and balance.

With its ethereal, milky-white skin and faceted curves, Frank Gehry’s IAC Building stands out against the heavy, industrial structures surrounding it on the western fringe of Manhattan’s rapidly evolving Chelsea neighborhood.