In 2012, George Brown College, an urban community college in Toronto, built a waterfront campus for its school of health sciences. Representing a 40 percent expansion of the overall campus, the new 450,000-square-foot, $140-million building responds to rising demand for health-care professionals, in particular those who are preparing for a collaborative practice. By uniting the schools of Dental Health, Heath and Wellness, Health Management, and Nursing and creating strategic social spaces shared by all student bodies, the facility refutes the silo mentality that had kept these related departments from intersecting. Students traveling diverse paths now meet each other easily, build
Boston is full of co-working centers, incubators, and labs, but most are housed within one of the city's 50 institutions of higher education, cloaked with exclusivity or even anonymity simply by association. Others are part of a particular company, perhaps relegated to the corner of a lobby or makeshift space. District Hall, the result of a public-private partnership, belongs to everyone, and it's a smash hit, not just an idealistic showpiece for the city. The bright, airy 12,000-square-foot building on the South Boston waterfront, across from Diller, Scofidio + Renfro's Institute of Contemporary Art, is an innovation center unaffiliated with
These projects are ranked on the basis of hard construction costs (including labor and materials, but excluding equipment, land, and design fees). Construction for these projects started between January 1, 2013, and February 28, 2015.
It's not often that art, architecture, and wine-making come together as a cultural statement. Unless, of course it occurs in France, which prides itself on its own special savoir vivre. Ironically, the person behind this sensual conjunction at Chateau La Coste in Provence, where a winery has been enlivened with works of architecture and sculpture, is an Irishman, Patrick (Paddy) McKillen.
Eli Broad has his name on several buildings by high-profile architects, including The Broad in Los Angeles by Diller Scofidio + Renfro, opening this fall.
A revelatory exhibition at MoMA in New York highlights South America's innovative architecture Church in Atlantida, Uruguay, by Eladio Dieste (1958). Sixty years after its exhibition Latin American Architecture Since 1945, the Museum of Modern Art is picking up the story where it left off. But the sequel, Latin America in Construction: Architecture 1955–1980, is on a different order of ambition. Where the first show covered a mere decade, this one spans a quarter of a century during the most architecturally fertile period in the region's history. As a backdrop, two factors propel the architectural agenda. The first is unprecedented
Beginning with an innovative multi-unit housing project he built in Montreal nearly 50 years ago, Moshe Safdie, this year's AIA Gold Medal–winner, presides over a successful global practice, creating large-scale mixed-use complexes while keeping a firm hand on nearly every aspect of design.
As you traverse the streets of Midtown Manhattan, the new skyscraper known as 432 Park Avenue pops in and out of view unexpectedly, hidden behind the Waldorf-Astoria at one moment, then looming menacingly over Lever House'a giant watchtower of blindingly white concrete with the proportions of an elongated toothpaste box stood on end.