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A longer school day prompted the client and architects to rethink the way education is delivered in Germany and how it is housed.

For an academic center, a former RECORD Vanguard architect revives a centuries-old building method to create a new archetype. There is a common thread that runs through all of Studio Gang’s work.

For years, Philip Johnson's glass-skinned Crystal Cathedral in Garden Grove, California'completed in 1981 for televangelist Robert Schuller and his Reformed Church in America'operated as a broadcasting venue as well as a house of worship.

A new campus museum quietly serves up a visual banquet. It’s tempting for designers to try to turn art museums into works of art themselves. But what if the client’s directive is just the opposite? A new campus museum in the Bay Area by the New York–based firm Ennead Architects may disappoint those hoping for a bigger architectural statement.

The bucolic backdrop of the recently opened Fondation Louis Vuitton, set within Paris’s Bois de Boulogne park, inspired a garden building in the tradition of Joseph Paxton’s long-destroyed Crystal Palace. Like that famous structure, erected in London’s Hyde Park in 1851, Frank Gehry’s billowing new museum features vast expanses of glass.

A simple box, dressed up with a curving metal screen, gives an ancient city a modern monument.

With its first theater built from the ground up, a firm brings the spirit—and the bricks—of the past into a modern performance space in London.

Architect William Rawn is often asked about the 85-foot-long undulating glass facade at his recently completed Ruth Caplin Theatre on the campus of the University of Virginia (UVA), in Charlottesville. People wonder, he says, if it was inspired by Thomas Jefferson’s serpentine brick walls that are part of the so-called Lawn—the complex of 18th-century structures and grounds at the university’s historic heart.