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Home » Authors » William Hanley

William Hanley

Articles

ARTICLES

MoMA Takes the Bauhaus Back to School

William Hanley
May 16, 2015
No Comments
The first object that visitors find when they arrive at Bauhaus 1919-1933: Workshops for Modernity at New York’s Museum of Modern Art is not a tubular steel chair or a coffee and tea service or any of the other icons that have come to represent the storied German school. Instead, it is a photograph showing a group of students posing inside a stack of gridded shelves taken as a memento when founding director Walter Gropius departed. Photo ' Scott Rudd (top); Estate of Erich Consemüller (bottom) Installation view of Bauhaus 1919–1933: Workshops for Modernity at the Museum of Modern Art
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Exhibition Review: Lina Bo Bardi: Together

William Hanley
April 30, 2015
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An idiosyncratic show in Chicago evokes a designer’s inclusive architecture. The spotlight given to Lina Bo Bardi’s work leading up to her centennial last year revises one of the great oversights of 20th-century design history. Though the Italian-born architect who practiced most prominently in Brazil designed several monumental projects, her legacy had long been overshadowed by the likes of Niemeier and Costa. But to a contemporary eye, her work offers a humanist rejoinder to the grandiose forms of her male peers, and it has recently found a wider audience with a wave of monographs and exhibitions. One small, but well-traveled
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Ihsan Fethi

Newsmaker: Ihsan Fethi

William Hanley
March 26, 2015
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This Jordan-based architect is monitoring the ISIS-led destruction of historic sites and spearheading efforts to stop it. In a video that provoked outrage as it made its way across the Internet in February, men 
in military clothing ransacked Iraq’s Mosul Museum, toppling statues of ancient rulers from their pedestals before pounding the figures—some replicas but others original—with sledge-
hammers.


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Albi Grand Theater

Curtain Call: A simple box, dressed up with a curving metal screen, gives an ancient city a modern monument.
William Hanley
December 16, 2014
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A simple box, dressed up with a curving metal screen, gives an ancient city a modern monument.


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Newsmaker Interview: Jonathan Muecke

William Hanley
November 24, 2014
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A young designer greets visitors to this year’s Design Miami/ with a walk-in color wheel. Photo © Gesi Schilling Designer Jonathan Muecke with a study for his pavilion for the 10th iteration of Design Miami/, which runs December 3–7. Jonathan Muecke designs furniture that is both simple and inscrutable. But before settling into his current practice, the 31-year-old designer received a B.Arch. from Iowa State University and worked for Herzog & de Meuron in Basel. His desire to create at a smaller scale led him to study at Cranbrook in Michigan and then establish a studio in Minneapolis, where he
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New Orleans, In-demand Cities

In Demand Cities: New Orleans

As a city moves from recovery to renaissance, it struggles to remain affordable.
William Hanley
October 16, 2014
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Even on a particularly airless late-summer evening, the appeal of the Bywater, a once-working-class New Orleans neighborhood just downriver from the French Quarter, cuts through the oppressive humidity. 


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Jack Shainman Gallery

The School by Antonio Jiménez Torrecillas

Kinderhook, New York
William Hanley
August 16, 2014
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A Spanish architect converts a historic building in upstate New York into an outpost for a Manhattan art dealer.


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Snarkitecture

Snarkitecture

William Hanley
August 16, 2014
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Snarkitecture, the name that artist Daniel Arsham and designer Alex Mustonen have given their nearly 10-year-old design collaboration, cuts two ways. On the one hand, it references the fictional creature in Lewis Carroll’s nonsense poem “The Hunting of the Snark”; on the other, it invokes the arch tone of Internet writing.


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Andreas Angelidakis

Andreas Angelidakis

William Hanley
August 16, 2014
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Andreas Angelidakis is not sure why millions of people are obsessed with cat videos. “It’s a curious thing, what captures people’s attention,” he says. “Architecture is a lot slower than that kind of exchange of images.” 


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Allyson Vieira

Allyson Vieira

William Hanley
August 16, 2014
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Allyson Vieira builds monuments—but she uses unexpectedly humble material. Take her 2013–14 exhibition The Plural Present. There, the New York–based artist filled a gallery with Classical ruins: The City Wall, 2013, delimited the space with a colonnade that framed Beauty, Mirth, and Abundance, 2013, three figures striking acontrapposto that echoes the famed Greek statue of the three graces at the Metropolitan Museum of Art. 


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