This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
The Atjehstraat was just an ordinary street in Ka'ten'drecht, a hardscrabble neighborhood in Rotterdam’s old harbor area, where immigrants and young people have taken the place of sailors and prostitutes. Now it is a special street, thanks to the Broken Light project of artist and lighting designer Rudolf Teunissen and his firm Daglicht & Vorm (Daylight & Form). The project covers sidewalks in a wavy, underwater-like pattern of soft light, while adorning the facades of rental apartments in strips of light that look like pilasters. The overall effect is to create an atmosphere of peace and tranquillity. Broken Light originated
Located at the edge of Tokyo, the Futakotamagawa Rise Galleria had the misfortune of being completed just six days after the Great Hanshin Earthquake jolted Japan on March 11, 2011.
As in any great film, Beirut’s illuminated downtown reveals no unintended harsh shadows, no light sources or fixtures. Its Ottoman-style and French-mandate buildings and their Arabesque, Art Nouveau, and Art Deco details subtly emerge with strokes and washes of what might be moonlight. It’s all an illusion, except the illusion hasn’t been created for the ephemeral moment of the shot. Lighting Beirut Architecture, an ambitious project designed by the French lighting-design firm Light Cibles, was a first step in an ongoing transformation of the city’s downtown nightscape. The initiative, directed by Solidère, the real-estate developer responsible for the Beirut Central
For several years on the anniversary of 9/11, a pair of temporary light beams were projected heavenward as luminous reminders of the attacks on the Twin Towers.
The Great Light Way In January 2005, the Quartier des Spectacles Partnership of Montreal, an organization of area stakeholders dedicated to promoting Montreal’s cultural district, took on an ambitious urban-branding project: creating a cohesive identity for the 20 cultural venues and two public squares that make up the area. With art direction by branding experts Ruedi Baur and Jean Beaudoin, of Integral, the solution is a stunning architectural light show dubbed the Luminous Pathway. The Pathway comprises a double row of illuminated red circles (four-headed LED fixtures mounted on adjacent buildings) that lead pedestrians from place to place. The color
Artist Doug Aitken first visited the Hirshhorn Museum and Sculpture Garden in 2009, on the invitation of its director Richard Koshalek to conceive an entirely mirrored reading room in the lower lobby.
Art imitates life in surprising ways. For Miami residents hurrying through the lobby of the city’s 1985 Stephen P. Clark Government Center lobby, Reflect, a permanent, interactive installation by artist Ivan Toth Depeña, does it by capturing their movements in real time, and transforming them into dynamic video paintings that illuminate the building’s columns with vivid moving pixels.
At Princeton University's new Frick Chemistry Laboratory, dedicated in April, a highly efficient lighting scheme is one of several tightly integrated strategies that contribute to the building's ambitious energy-saving goals: Frick is designed to use 24 percent less site energy than allowed by the 2007 version of ASHRAE 90.1 standard. This building's configuration is a product of both environmental and programmatic goals, according to its architects, London-based Hopkins and Payette Associates of Boston. The 265,000-square-foot structure has two four-story, largely glass-enclosed wings'one on the east for research and another on the west for offices. The pieces are joined by a
Like a beacon, the dynamic glow of the illuminated corner building on Rhode Island Avenue points to a bright future for area residents. The Watha T. Daniel ' Shaw Neighborhood Library (Shaw) was one of the first projects in an ongoing D.C. Public Library initiative to build new facilities with community-friendly spaces and state-of-the-art information technologies. The mandate also stipulates that the buildings meet or exceed LEED Silver certification. According to Peter Cook, Davis Brody Bond principal in charge of the Shaw Library project, light'in particular daylight boosted by electric light and controls'was a significant part of their energy-saving design
RSS
