Completion Date: November 2009 Owner: Denver Art Museum Program: A 4,936-square-foot shop in the lobby of the museum's Daniel Libeskind–designed building. The project, which also includes a café and office, replaces and updates the lobby's original shop. Design concept and solution: The architects aimed to attract more museum patrons while making the store feel like a natural extension of the art-viewing experience. They moved the shop from its original, somewhat obscure location under the main stairs into an underused portion of the lobby near the entrance. Respecting the dramatic angles and skewed geometry of Libeskind's design, the Roth + Sheppard
Ask any seasoned journalist, and he or she will likely confirm that the office environment for a news and media organization needs to support several seemingly incompatible activities, often occurring simultaneously. At any given moment, reporters are gathering information on the phone, impromptu meetings are happening in aisles and corridors, while writers and editors are trying to complete stories on tight deadlines. STUDIOS Architecture grappled with these demands when it designed offices for Dow Jones, the news and financial information provider best known as publisher of the Wall Street Journal. Soon after Rupert Murdoch’s media conglomerate, News Corporation (News Corp.),
The city of Tashkent just celebrated its 2,200th birthday, but the Uzbek capital, once a stop on the Silk Road, has retained little of its ancient architecture. In 1966, a 5.0-magnitude earthquake mostly leveled the city’s historic center of clay-brick buildings. The Soviet Union rebuilt with modern structures lining wide boulevards. But in the decades since Soviet rule, the Uzbek government has redeveloped the area with an eye toward bringing traditional ornamentation back to the city’s architecture while creating a sophisticated capital that embraces an international brand of contemporary design. One of its recent efforts, the International Forums Palace, anchors
Lorcan O’Herlihy and Stephen Kanner refer to the checkerboard wall snaking through their Performance Capture Studio (PCS) north of San Francisco as a “strange loop,” a term used in film and other arts to describe something that breaks down the usual hierarchies of time or space and ends up where it started.
When the 12-person Manhattan architecture firm, Michael Neumann Architecture, had outgrown its office, a converted two-bedroom apartment, they sought a new space with more room that was close to public transportation and provided natural light and fresh air.
When the Energy Foundation, a partnership of philan-thropic investors that promotes clean-energy technolo-gies, outgrew its offices in a former military hospital on San Francisco's Presidio, it saw an opportunity to recreate its headquarters not only to accommodate its rapidly growing staff, but also to better reflect its mission.
The mere thought of a high-profile architect designing a shop for a well-known fashion designer raises the old question: Will the container dominate the contained—i.e., the clothes?