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Scandinavian design, known for its clean lines and economic use of materials, also draws heavily upon craft techniques and a sense of individuality. All these strands were on show at the Stockholm Furniture Fair, where colorful, multifunctional products had their day in the wintertime sun. - Julie Taraska
Work it out
The Playns system of adjustable-height work tops and privacy screens permits individual or collaborative work at the same station. The units can stand alone or be combined, with a pair requiring four legs rather than eight. Vitra, New York City. www.vitra.com
Panoramic panels
The Soundwave Village acoustic panels, designed by Mårten Claesson, Eero Koivisto, and Ola Rune for Offecct, feature peaks and valleys inspired by aerial photographs of Beijing’s Forbidden City. The panels muffle noises over 500Hz. Apartment Zero, Washington D.C. www.apartmentzero.com
Glimmer and shine
With its shimmering strands of woven vinyl, the Twilight floor covering from Bolon is sophisticated enough for residential use, but durable enough for hospitality. Bolon’s U.S. distributor, Mats Inc., will coordinate the end user with a facility that can fully recycle the product. Mats Inc., Stoughton, Mass. www.matsinc.com
Perfectly unpolished
The Raw chair’s rough-hewn look is no affectation: Each piece is carved freehand with a band saw. Available in two versions for residential and commercial applications, and in four colors. Muuto, Copenhagen, Denmark. www.muuto.com
Booked up
Designed by Ole Jensen, the spring-green pine Collect bookcase, measuring 55'' high x 55’’ wide x 15'' deep, is part of Normann Copenhagen’s first-ever furniture collection. Normann Copenhagen, Copenhagen, Denmark. www.normann-copenhagen.com
Lighting the way
For Wastberg’s w084t halogen task lamp, designer Ilse Crawford chose birch arms, iron wing nuts and hardware, and an innovative blend of glass, chalk, and plastic for the shade. Design Within Reach, San Francisco. www.dwr.com
Olive Branch
Straddling the line between bespoke and mass-produced furniture, Swedese's Olive chair features five different backrests and seats randomly paired together during production. The idea struck while designers Claesson Koivisto Rune were sharing a bowl of the delectable drupes, noticing each fruit had a distinct shape, but was related to the others. Available in metal or wood, and with or without armrests, (the latter version is stackable). The Hightower Group, New York City. www.hightoweraccess.com
Fluffy but Functional
The Cloud chair has a secret. Underneath its undulating layers of polyurethane foam upholstery is a curved steel rail that allows users to slide the seat's position up to 180 degrees. That means you can change the chair's direction, increase or decrease its legroom, adjust its back height, and even transform it into a stool. Design House Stockholm, Stockholm. www.designhousestockholm.com
Clear Logic
Like the proofs of Sir Isaac, the Newton coffee table from Karl Andersson & Soner is elegant in its simplicity. The base compromises two ribbons of ash that dip down to the floor, rise to kiss in the middle, and then curve upwards to balance a circular glass top. Available in 12" and 16" heights, in three stains. Scandinavian Design, New York City. www.scandinaviandesigninc.com
In Bloom
A slowly opening flower inspired Hiromichi Konno's Rin chair for Fritz Hansen. The elegant plastic shell, which features futuristic cutouts and integrated armrests, perches gracefully on a stem-like-steel-and-aluminum base. Available in six colors (black shown) and with an optional leather or cloth cushion. Fritz Hansen, Allerod, Denmark. www.fritzhansen.com
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Julie Taraska was a staff writer and editor from 2015 to 2017 for Architectural Record. She was also the editor SNAP, RECORD’s bimonthly product-focused magazine.
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