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ProjectsBuildings by TypeCivic Architecture

Francis Gregory Library by Adjaye Associates

Washington, DC

By Suzanne Stephens
Francis Gregory Library
The branch library on the edge of Fort Davis Park in Washington's Hillcrest neighborhood features a glass exterior wall of diamond-shaped lites. Floating above the pavilion is an aluminum-frame canopy.
 
Photo © Edmund Summers
Francis Gregory Library
The plywood honeycomb containing the curtain wall's structure is fully revealed in the lobby.
 
Photo © Edmund Summers
Francis Gregory Library
From the second-floor conference room, visitors can look through a glazed aperture into the teen room, where handcrafted lampshades are suspended over the seating in the double-height space.
 
Photo © Edmund Summers
Francis Gregory Library
Image courtesy Adjaye Associates
Francis Gregory Library
Image courtesy Adjaye Associates
Francis Gregory Library
Image courtesy Adjaye Associates
Francis Gregory Library
Francis Gregory Library
Francis Gregory Library
Francis Gregory Library
Francis Gregory Library
Francis Gregory Library
October 16, 2012

Architects & Firms

Adjaye Associates
David Adjaye, the Tanzanian-born architect with offices in New York City, London, and Berlin, has a lot going on in Washington, D.C. While he is busy working on the National Museum of African American History and Culture on the National Mall, Adjaye's New York office just completed two branch libraries for the District of Columbia Public Libraries (DCPL) system: the William O. Lockridge/Bellevue Library and the Francis A. Gregory Library. The DCPL program, dedicated to creating architecturally distinctive structures in Washington neighborhoods, seeks to transform these small civic buildings from just repositories of books into incubators for learning as well as community interaction. Already branch libraries designed by the Freelon Group of Durham, North Carolina, and by Davis Brody Bond lend the DCPL's portfolio a design heft. Interestingly, these two firms are also working with Adjaye on the African American museum, scheduled for completion in 2015.

With the Gregory library, Adjaye has created a shimmering pavilion at the edge of Fort Davis Park in the southeastern part of the city. The two-story, steel-frame structure, 23,000 square feet in size, both blends in with its wooded surroundings and distinctively stands out from them by virtue of its sleek, glass-enclosed, 24-foot-high volume tucked underneath a muscular, louvered aluminum canopy. Floating above the pavilion, the dark-gray canopy brings the library's height to 35 feet and bolsters its commanding presence in the neighborhood. In addition, it cantilevers 20 feet from the south entrance facade to provide a needed sunshade in the summer.

A diamond motif characterizes the library's curtain wall where the glass lites vary in width from 5 to 8 feet'an 'expansion and contraction that reflects the notion of growth, like the forest,' says Adjaye. Just behind the limpid glass exterior surface, an open web of diamond-shaped plywood modules subtly asserts its presence on the outside. The modules, 1 foot 3 inches deep, contain the actual structure of the curtain wall'an X-shaped steel diagrid next to the glass with vertical steel supports backing it up. The exterior glass that skims by the plywood modules in this seemingly effortless structural exercise alternates between low-E, double-insulated panes allowing views out and spandrel panels with a mirrored finish on the inner surface that reflects the leafy trees. Where access to the library is needed, such as at the entrance on one end of the south facade, Adjaye has inserted portals of composite metal panels into the curtain wall'one of the few gestures that interrupt the strong concept of the luminously abstract glass pavilion.

The glossy facade is a clue to the combination of simplicity and complexity integral to the architect's approach. This can be seen not only in the exterior planes and structure but in the interior's spatial disposition and functional resolution, as well as the overall play of colors and textures. Visitors enter a lobby of gleaming black surfaces: The circulation desk features a base of lacquered black medium-density fiberboard (MDF) topped by a solid-surface black counter. Along with the black-stained concrete floor and a 13-foot-high soffit of drywall with a bronze metallic finish, the architect has established a dramatic counterpoint to the skylit main hall extending along the south facade. Here the space soars upward to a 23-foot-high skylight composed of a diagrid of aluminum and glass. Freestanding shelves for electronic media edge the open-plan ground-floor reading areas, where one can also catch framed glimpses of the park in back.

Visitors can take the angular black stair, or elevators in either of two service cores, to the second floor. Here the children's reading and other areas extend toward the perimeter of the library's volume. Although these areas are enclosed by interior walls, deep windows with seats carved into them allow children to read while looking into the woods through clear diamond panes in the exterior walls beyond. If the acoustical ceiling of the children's browsing room seems rather low, the occasional skylight adds much-desired natural illumination. Also on this floor, a semi-enclosed comma-shaped space clad in Douglas fir functions as a children's program room, and a conference room with a large glass interior window overlooks the double-height teen reading room.

The architects attained a LEED Silver rating: The glass walls promote thermal gain during the winter, but the canopy cuts unwanted solar load in the summer. In addition, the ground paving is pervious to prevent storm runoff. (Yet the subzero air conditioning on a hot summer day is a reminder that LEED ratings do not guarantee energy-efficient operations.)

With a budget of $13 million, Adjaye has managed to give the branch library an unusual sense of elegance and sumptuousness, while still imparting a visual and physical accessibility to its neighborhood users. A break-in connected with theft of computer goods caused damage to the glass, yet, according to Ginnie Cooper, the DCPL's chief librarian, the community has been 'warmly responsive' to its design. Many find it 'jaw-dropping.'

Location:
3660 Alabama Avenue, SE
Washington, DC

Total construction cost: $13 million

Completion date: June 2012

Size: 23,000 square feet

People

Owner:

District of Columbia Public Libraries

 

Architect:

Adjaye Associates
415 Broadway 3rd Floor
New York, New York 10013

Personnel in architect's firm who should receive special credit:
David Adjaye
Austin Harris, RA
Russell Crader, RA
Edward Yung

 

Architect of record:

Wiencek + Associates

 

Engineer(s):

MEP:Setty & Associates International

Structural:ReStl Designers

 

Consultant(s):

Landscape: Greenhorne & O’Mara

 

Owner’s Representative:

Jair Lynch Development Partners

 

General contractor:

Hess Construction (mentor construction manager)
Broughton Construction (protégé construction manager)

 

Photographer(s):

Edmund Summers

 

CAD system, project management, or other software used:

Autocad 2010

 

Products

Structural system

Steel Frame

 

Exterior cladding

Metal/glass curtain wall: Custom: Tower Glass Company, Woburn MA

Louvered Canopy: Custom: Conservatek Industries, INC.

Glazing: 
Guardian SunGuard SuperNeutral 68
Guardian SunGuard Silver 20

 

Doors

Entrances: Dorma

 

Interior finishes

Acoustical ceilings: Ecophan

Cabinetwork and custom woodwork: Custom: ISEC, Inc

Plastic laminate: Mirror: Decatone Colors: Abet Laminati

Floors: Stained and Polished Concrete

Carpet: Mannington

 

Furnishings

Office furniture: Herman Miller

ReadingTables:Vitra

Seating: Herman Miller

Chairs lounge:Bernhardt

Shelving: Space Saver

 

Conveyance

Elevators/Escalators: Kone

 
KEYWORDS: Washington D.C.

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Stephens

Suzanne Stephens, a former deputy editor of Architectural Record, has been a writer, editor, and critic in the field of architecture for several decades. She has a Ph.D. in architectural history from Cornell University, and teaches a seminar in the history of architectural criticism in the architecture program of Barnard and Columbia colleges.

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