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When asked to sharpen the corporate image of the Spanish furniture manufacturer Ofita for visiting designers, architects, and specifiers, the Milan-based design and architecture firm King & Miranda transformed the company’s Madrid offices and showroom—located on two adjacent floors—into an integrated sales tool using a spare vocabulary of textural elements, colors, and lighting strategies.
The National Museum of Roman Art in Mérida, Spain (1984), was one of the first projects that brought Rafael Moneo to the attention of the American architectural scene.
Project Specs Museum of the Roman Theater of Cartagena Cartagena, Spain José Rafael Moneo << Return to article the People Architect José Rafael Moneo Project architect: Juan Manuel Nicás Collaborators: Carla Bovio Angel Huertas Suanzes Engineer(s) Structural engineer: NB 35 Jesús Jiménez Cañas Mechanical Engineer: Úrculo Ingenieros Model makers: Estudio Rafael Moneo the Products
Located on the Mediterranean coast almost 300 miles southeast of Madrid, the port city of Cartagena is rich in a history that dates back more than 2,000 years, when it was a stronghold of ancient Carthage.
Tucked away in a sleepy corner of northeast Spain, the town of Teruel has long been a tourist destination for buffs of medieval architecture and history.
The Caixa Galicia Foundation, a regional cultural center designed by Grimshaw Architects, packs a lot of design intensity into a small but prime port-side site in La Coruña, on Spain’s northwest Atlantic coast.
Aspiring to give Valencia, Spain’s third-largest city, cultural clout and a tourist magnet rivaling Frank Gehry’s museum in Bilbao, the regional government set out to develop an 86.5-acre site on a dry riverbed, midway between Valencia’s old section and its coastal district.