Meier (standing) at Westbeth, a nonprofit affordable housing complex for artists in New York's West Village, in 1970. Also shown in photo: Barbara Littenberg; Gerry Gurland (in front of Meier); and Tod Williams (behind Gurland). This October Richard Meier celebrates the 50th anniversary of establishing his own office in New York City. Over the years, Meier has witnessed significant changes in architectural practice—including his own. It has become more global in a world where he and other "design"-oriented architects are now able to attract a gamut of large-scale commissions. Richard Meier & Partners currently has major projects going up in
This summer may be the busiest of Andy Klemmer’s life. Two buildings for which his firm, the New York-based Paratus Group, serves as project director—the Pérez Miami Art Museum, by Herzog & de Meuron, and an addition to the Kimbell Museum, in Fort Worth, by Renzo Piano—are racing toward fall openings, turning the New Yorker into a Florida-Texas commuter. Photo courtesy Paratus Group Andy Klemmer He founded the company in 1997, the year Frank Gehry’s Guggenheim Bilbao, for which he served as owner’s rep, debuted. Subsequent projects have included SANAA’s Glass Pavilion at the Toledo Museum of Art as well
Record talks with the eminent architecture historian and architect who organized the comprehensive new Le Corbusier exhibition at New York's Museum of Modern Art. Le Corbusier (Charles-Édouard Jeanneret), Villa Savoye, Poissy, 1928–31 (Photo 2012) You might say it’s about time. Finally a retrospective of the pioneering master of modern architecture has been mounted by the Architecture and Design Department at New York’s Museum of Modern Art. Le Corbusier: An Atlas of Modern Landscapes (on view until September 23), presents a vast range of the work of the influential architect who was born Charles-Edouard Jeanneret in La Chaux-de-Fonds, Switzerland in 1887,
What began as architects Catherine Johnson and Rebecca Rudolph’s provocative response to the question “What is architecture?,” posed by the American Institute of Architects Los Angeles chapter as part of a 2010 competition, became the ethos of the duo’s collaboration: “It is design, bitches” was their answer.
Installation image of Lost City Arts at the Collective.1 Design Fair. New York architect Steven Learner needed advice. While fairs like Design Miami/, which cater to collectors of 20th century and contemporary work, have popped up around the world, New York City lacked a similar event, and seeing a hole in the market, Learner decided to start his own. To bridge the knowledge gap between being an architect and being a design market impresario, he called on a group of some 13 dealers, collectors, curators, and other advisors, including fellow architect Alexander Gorlin, to help conceive a new fair. This
New York set designer Christine Jones has turned heads with her evocative rendition of Las Vegas in the new Met Opera production of Rigoletto. George Gagnidze as Rigoletto and Vittorio Grigolo as the Duke of Mantua in the Metropolitan Opera's production of Rigoletto. The Metropolitan Opera’s new production of Verdi’s Rigoletto premiered this this winter to rave reviews—including its set design by Christine Jones, known for her Broadway shows Hands on a Hardbody and the Tony award-winning American Idiot. Rigoletto’s director Michael Mayer has placed the staging of the opera in 1960s Las Vegas, rather than late Renaissance Mantua as
Two years ago, Los Angeles Times architecture critic Christopher Hawthorne, writing in Architectural Record, lamented the “shrinking fraternity” of fellow newspaper critics focusing on the built environment. “At American dailies,” he wrote, “there are fewer than a dozen writers covering architecture with any regularity, and perhaps just four or five full-time critics.” The Dallas Morning News, however, is bucking the trend. In April, Mark Lamster, an editor at Architectural Review and contributing editor for Design Observer, will become the newspaper’s architecture critic. Lamster’s position is a partnership with the University of Texas at Arlington; he’ll teach a graduate seminar at
Filmmaker Su Friedrich discusses Gut Renovation, a personal and impassioned documentary about the transformation of a Brooklyn neighborhood. Still from Su Friedrich's documenatary Gut Renovation. This week, When SHoP Architects unveiled plans to overhaul the Domino sugar factory in Brooklyn’s Williamsburg neighborhood, it marked the most recent chapter in the area’s transformation from low-rise industrial zone to inexpensive artists’ enclave to in-demand residential district. In her impassioned new documentary, Gut Renovation, director and Su Friedrich chronicles that change over the course of several years. The film is at once a documentary about 21st century urbanism and an extremely intimate look
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