This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
When commissioned to design the facade and interior of the Institute of Molecular Genetics for the Czech Academy of Science, the Prague-based firm Studio P-H-A decided to add some bling to biomedicine. Responding to the standard-issue rectilinear volume designed by fellow Czech firm Atelier Ypsilon, architects Jan Sesták and Marek Deyl appended a glittering steel staircase that takes the form of DNA’s double helix.
A building that produces all the energy it requires, without sacrifices to its operations or concessions of human comfort, might sound like pie in the sky. But according to the New Buildings Institute (NBI), 160 commercial and institutional buildings in the U.S. are targeting or have achieved net zero energy—meaning that, over the course of a year, they produce at least as much energy from renewable sources as they consume.
Digital fabrication has been employed in the production of everything from furniture and lighting to jewelry and cell phones, but its use for large-scale construction has been rare.
The artist toiling in solitude has long been a romantic ideal. But it rarely holds in reality, especially for those who work at the civic scale, making pieces that straddle the blurry boundary between art and architecture. These artists rarely work alone, typically relying on a host of collaborators to realize their visions, including studio assistants, fabricators, and even city officials.
In landscape architect Thomas Balsley's view, it's time to rethink common notions about the role of parks and open space. “Often considered a luxury, parks should be viewed as providing an essential service—as infrastructure that makes communities more resilient,” he says.
Architects warm to a project delivery method that makes them more integral to the construction process and reasserts their control over the final product.
Fact or fiction, it is a common perception that the design and construction process is plagued with problems: cost and schedule overruns, under-detailed design drawings, shoddy workmanship, disputes, and litigation.
The Apple Store isn't a place you would typically look for residential building components. But you can find a new Wi-Fi-enabled lighting system from Philips called HUE there. This screw-in LED replacement for traditional bulbs can be easily controlled for color, color temperature, and intensity from a computer or smartphone.
Creating buildings that deliver on progressively more ambitious environmental goals will require energy simulations that reliably predict post-occupancy consumption. Higher energy performance has evolved from an aspiration to an expectation. Owners of buildings—especially those certified under rating systems like LEED—increasingly count on an energy savings payback. And a wave of “net zero energy” buildings promises to generate enough energy on-site from renewable sources to equal or exceed demand. As a result, predictive energy models face new scrutiny. “In the last five years, energy modelers have learned that they will have to answer for their models,” says Laurie Canup, an associate