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Home » Authors » Suzanne Stephens
Suzanne Stephens

Suzanne Stephens

Suzanne Stephens, a former deputy editor of Architectural Record, has been a writer, editor, and critic in the field of architecture for several decades. She has a Ph.D. in architectural history from Cornell University, and teaches a seminar in the history of architectural criticism in the architecture program of Barnard and Columbia colleges.

Articles

ARTICLES

Glass House

Philip Johnson's Glass House: An Essay in Timelessness

Suzanne-Stephens
Suzanne Stephens
June 16, 2007
No Comments
A classic example of Modern architecture is spiffed up for its public debut.
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Meinel Optical Sciences Expansion

Rich'rd and Bauer designs an outstanding laboratory space for the Meinel optical sciences expansion at the University of Arizona in Tucson
Suzanne-Stephens
Suzanne Stephens
May 19, 2007
No Comments

Richärd + Bauer, a young Phoenix-based firm, has demonstrated numerous times in its 11-year history that it can still advance architectural quality in inexpensive institutional buildings.


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VilLA NM

Joining rectilinear forms with a twist, UNStudio’s VilLA NM, in upstate New York, captures the landscape in gold reflections
Suzanne-Stephens
Suzanne Stephens
April 1, 2007
No Comments

The client, a New York–based developer with a young family, had a clear goal: a weekend house “as exciting as anything by Neutra and Schindler.”


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Janelia Farm Research Campus, Howard Hughes Medical Institute

Rafael Viñoly burrows into the earth to create the Janelia Farm Research campus for the Howard Hughes Medical Institute in Virginia
Suzanne-Stephens
Suzanne Stephens
March 19, 2007
No Comments

The more successful buildings by Rafael Viñoly, FAIA, display distinct athletic gestures—from the smoothly arcing roof of the 1994 Lehman College Physical Education Facility in New York to the exuberant, glass-barrel-vaulted roof of the Kimmel Center for Performing Arts in Philadelphia.


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Miyake Madison

Gordon Kipping delivers a powerful optical punch to Miyake Madison on New York’s Upper East Side
Suzanne-Stephens
Suzanne Stephens
March 19, 2007
No Comments

The downtown boutique aesthetic that emerged in New York City’s SoHo loft district in the late 1970s caught on––and stuck around––largely because it showed off arty clothes to striking effect.


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Crowding the Marquee

Suzanne-Stephens
Suzanne Stephens
January 16, 2007
No Comments
Credit: a sticky wicket Credits can be a source of contention, and it is more than wise to clarify them from the beginning. But even then there are problems. When Margaret Helfand, FAIA , a New York–based architect with her own office took on the role as the design architect for the Unified Science Center at Swarthmore College in Swarthmore, Pennsylvania, Einhorn Yaffee Prescott (EYP), a Boston-based a/e firm, had already been contracted to do the programming, and because of its expertise in lab design, had embarked on some early planning for the center. The college, for which Helfand had
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Crowding the Marquee

Suzanne-Stephens
Suzanne Stephens
January 16, 2007
No Comments
Embedding architects Electronic mail may help in overseas working relationships, but it isn’t everything: design architects and their collaborating architects often place their respective staffs in each other’s offices during the phases of schematic design, design development, construction documentation, and construction supervision. Gruzen Samton, which associated with Bernard Tschumi, AIA (then dean of Columbia University’s Graduate School of Architecture, Preservation and Planning), for Columbia’s Lerner Hall [record, November 1999, page 94], sent architects to Tschumi’s office at the beginning of the schematic-design phase. “We were all looking at various alternatives, with lots of sketches,” says Samton. “Bernard had a lot
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Crowding the Marquee

Suzanne-Stephens
Suzanne Stephens
January 16, 2007
No Comments
Way back when Just when did this all begin to shift around? Was it when back in 1987 when Gehry, known then for his “chain-link architecture,” and David Childs, of Skidmore, Owings & Merrill’s New York office, went after the Madison Square Garden competition? The scheme didn’t go anywhere, but the architectural community took note of the new bedfellows. Photo John Lee Pictures Fong and Chan (collaborators with Herzog & de Meuron, not shown) Photo © 2006 Todd Eberle. For the newly expanded Morgan Library and Museum, in New York City, Renzo Piano Studio was designated the design architect, and
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Crowding the Marquee

Suzanne-Stephens
Suzanne Stephens
January 16, 2007
No Comments
Unless you have been living in the Truk Islands, you have noticed (or even been a part of) the varied range of collaborations occurring among architectural offices in recent years. We’re not talking about collaborations between architects and landscape architects, engineers, or artists—that’s another story. Just looking at collaborations between different architectural practices reveals not only certain trends but some particular problems that warrant attention, in order to help create better relationships––and architecture. Up until 15 or so years ago, it was common for many large architectural offices to promote themselves as “full-service” firms handling all phases of the project
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Not Only Zaha: What is it like to be a female architect with a solely owned firm in the U.S. today?

Suzanne-Stephens
Suzanne Stephens
December 16, 2006
No Comments

If you go by newspapers and monthly consumer magazines, you might think there is only one female architect designing significant buildings today—Zaha Hadid. To be sure, the London-based, Iraqi-born architect deserves acclaim for her inventive assortment of zoomy structures completed in the last few years. But what about the rest? Aren’t there other talented women architects out there, who, like Hadid, run their own design practices?


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