Articles by Suzanne Stephens

Suzanne Stephens visits the Metropolitan Museum of Art Costume Institute's new Condé M. Nast Galleries, designed by Peterson Rich Office.

Creating expansive Central Park views and displaying the client's collection of postwar and contemporary art were the driving factors of this dramatic transformation.

The British auction house's new U.S. headquarters on West 57th Street populates the lower floors of the Warren & Wetmore–designed neoclassical tower.

Elevated 8 feet from the ground, the wood-frame Rayburn House was greatly influenced by a 1981 residence by Herzog & de Meuron.

The educator and curator talks to RECORD about teaching in the present climate, as well as his views on current museological approaches and architectural exhibitions.

The Bates + Masi partner designed the shingle-clad second home as a place to get away from the seasonal gridlock of Long Island's East End.

Constrained by a tight oceanfront site, the sauna-equipped cottage features a pinwheeling plan and pyramidal roof.

The hip-roofed pavilion claims a pair of disparate influences: rural Scottish shepherd huts and Charles Moore’s own Bay Area residence built in 1962.

The Halifax duo designed the timber-framed, steel-roofed house for a young family looking to relocate to the countryside.

Selldorf Architects’ understated expansion neatly fills the house-museum’s last remaining nooks and crannies.