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Home » Authors » Paula Deitz

Paula Deitz

Paula Deitz is editor of The Hudson Review. Her book Of Gardens: Selected Essays was published by the University of Pennsylvania Press.

Articles

ARTICLES

Be Seated

Be Seated

By Laurie Olin
Paula Deitz
August 9, 2018
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The landscape architect provides a thorough study of public outdoor seating.


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Geneologies of Transformation Opens at Mori Art Museum

'Genealogies of Transformation' Opens at Mori Art Museum

Paula Deitz
May 29, 2018
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An exhibition at the Tokyo museum highlights traditional architecture's critical role and explores Modernism's deep roots in Japan.


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Museum of Islamic Art by I. M. Pei

Doha, Qatar
Paula Deitz
August 19, 2009
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I. M. Pei pairs Islamic tradition with monumental Modernism in the Museum of Islamic Art in Doha, Qatar, for an opulent collection of art and artifacts.


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Machine in the Garden: Charles Jencks's Garden of Scottish Worthies

Paula Deitz
July 16, 2009
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Unlike architecture, which requires solidity to provide shelter over time regardless of style, landscaped gardens are ephemeral by nature. They may possess a degree of flamboyancy and fantasy expressive of the philosophical tone of their times and their creators without concerns for function. This is particularly true among the rolling hills of southwest Scotland, where in Portrack, just north of Dumfries near the English border, Charles Jencks, the American theorist, architect, and (increasingly) landscape architect, and his late wife, Maggie Keswick, created a 30-acre garden on a family estate that engages both the mind and the senses. Known as the
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Artists tackle architecture and find new ways of looking at it

Paula Deitz
October 16, 2007
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After landing at the dock and walking through the parklike serenity of this walled island, you finally catch a view of the cinema, a pavilion with the same oval rondeur, says the artist, as the great Fenice Theater. Though it functions as a theater showing documentary films and holds an audience of 35 to 40 on its stepped rows of square seats, the pavilion retains a special intimacy and scale that make viewers feel they are entering an architectural model itself. On the outside, Putrih assembled a seemingly random (though actually precise) criss-cross installation of rusted trusswork bolted into place.
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Artists tackle architecture and find new ways of looking at it

Paula Deitz
October 16, 2007
No Comments
In the catalog for Antony Gormley’s recent exhibition, Blind Light, at the Hayward Gallery in London, the curator Jacky Klein cites Brancusi’s dictum that “architecture is inhabited sculpture.” But since the onset of the Constructivist movement in Russia in the early 20th century, sculpture itself has become architectonic and inhabited, if not physically, then mentally, in the seductive manner that the imagination allows the viewer to experience its interiority.' Photography: © Michele Lamanna/Courtesy the artist and Max Protetch Gallery For the Venice Art Biennale in 2007, Putrih created Venice, Atmospheric (above two), which recalls old movie palaces. Not satisfied merely
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