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Good Design Is Good Business 2013

510 Fifth Avenue Renovation

By Jennifer Krichels
New T8s with custom reflectors replicate the color temperature of the '50s cold-cathode lamps, for energy and cost savings over today's cold-cathode lamps, which must be custom-fabricated.
510 Fifth Avenue Renovation
Skidmore, Owings & Merrill
New York City
New T8s with custom reflectors replicate the color temperature of the '50s cold-cathode lamps, for energy and cost savings over today's cold-cathode lamps, which must be custom-fabricated.
Photograph © Eduard Hueber / archphoto
 Revisiting the original 1950s scheme of Bunshaft's building, the architects restored the Harry Bertoia screen and mimicked the luminous ceiling, since replaced, with double-skinned acrylic diffusing
510 Fifth Avenue Renovation
Skidmore, Owings & Merrill
New York City
Revisiting the original 1950s scheme of Bunshaft's building, the architects restored the Harry Bertoia screen and mimicked the luminous ceiling, since replaced, with double-skinned acrylic diffusing panels that match the dimensions and corrugated texture of the original vinyl sheeting.
Photograph © Eduard Hueber / archphoto
510 Fifth Avenue Renovation
510 Fifth Avenue Renovation
Skidmore, Owings & Merrill
New York City
Photograph © Eduard Hueber / archphoto
510 Fifth Avenue Renovation
510 Fifth Avenue Renovation
Skidmore, Owings & Merrill
New York City
Photograph © Eduard Hueber / archphoto
510 Fifth Avenue Renovation
510 Fifth Avenue Renovation
Skidmore, Owings & Merrill
New York City
Photograph © Eduard Hueber / archphoto
New T8s with custom reflectors replicate the color temperature of the '50s cold-cathode lamps, for energy and cost savings over today's cold-cathode lamps, which must be custom-fabricated.
 Revisiting the original 1950s scheme of Bunshaft's building, the architects restored the Harry Bertoia screen and mimicked the luminous ceiling, since replaced, with double-skinned acrylic diffusing
510 Fifth Avenue Renovation
510 Fifth Avenue Renovation
510 Fifth Avenue Renovation
June 16, 2013

Skidmore, Owings & Merrill

New York City

Designed by Gordon Bunshaft of Skidmore, Owings & Merrill (SOM), the Manufacturers Hanover Trust building's glass curtain wall and luminous interiors communicated a new transparency for financial institutions when completed in 1954. But the building that attracted 15,000 visitors on its opening day made less auspicious headlines in October 2010 when exiting tenants removed its site-specific Harry Bertoia sculptural screen and mobile. The change was just the latest in a long list of modifications that diminished 510 Fifth Avenue's original design. Flanked by two popular retail corridors'the established Flagship Row between 49th and 59th Streets and the Bryant Park area at 42nd Street'the address on the corner of West 43rd Street had also fallen out of favor among investors when Vornado Realty Trust acquired it three years ago.

Working with SOM, the new owners discovered that the key to the building's future lay in its past. Its original commissioner, Hap C. Flanigan, foresaw a need for adaptive architecture. 'He talked about how many branch banks failed during the Depression,' says SOM design partner Roger Duffy. 'He didn't want to make the building overly specific.'

The architects had to gain New York City Landmarks Preservation Commission approval for both interior and exterior modifications. Bunshaft's original design became the guiding principle: Duffy and the team reopened the volume by restoring the cantilevered second floor, which had been compromised by a glass ceiling during a previous renovation. They also restored the back-painted wire glass spandrel panels outlining the historic plate-glass facade, and reconfigured the entrance and escalators'originally on the side street'creating an inviting entrance on Fifth Avenue. Inside, they mimicked the original luminous ceiling with up-to-date materials. Even the Bertoia screen is back, if slightly repositioned, along with the mobile in its original place.

Vornado leased the building at a record rent to clothing retailer Joe Fresh before construction began. To fulfill the deal, the project team completed construction in just under a year.

The renewed building is already reviving the area, so that it is part of Fifth Avenue's retail corridor once more. With future tenants allowed only reversible changes, the building's course is much more controlled, says Duffy. 'It appealed to a particular type of person in the 20th century, but now appeals to a much broader spectrum of people.'

Architect:
Skidmore, Owings & Merrill LLP
14 Wall Street
New York, NY 10005
212-298-9300
212-298-9500 (fax)

Completion Date: 2012

Gross square footage: 30,000 square feet

Total construction cost: withheld

People

Owner: Vornado Realty Trust

Location:  Corner of 43rd Street and 5th Avenue, New York

Completion Date:  Original: 1954, Renovation, 2012

Gross square footage: 30,000 square feet (Renovation only, includes two retail floors and basement)

Architect:
Skidmore, Owings & Merrill LLP
14 Wall Street
New York, NY 10005
212-298-9300
212-298-9500 (fax)

Personnel in architect's firm who should receive special credit:
Roger Duffy, FAIA, Design Partner
T.J. Gottesdiener, FAIA, Managing Partner
Jonathan Stein, AIA, Director, Project Manager
Frank Mahan, AIA, Senior Design Architect
Sam O’Meara, AIA, Senior Technical Architect
Petra Jarolimova
Christian Kotzamanis

Charles Besjak, PE, SE, AIA, Director, Structural Engineer
Preetam Biswas, PE, Associate Director, Structural Engineer
Dieter Feurich, PE
Yunlu Shen, PE
Nathaniel Gonner
Ali Lame

Architect of record:  Skidmore, Owings & Merrill LLP

Tenant fit-out architect: Callison

Engineer(s):
Structural Engineer:  Skidmore, Owings & Merrill LLP (see project team above)

M/E/P Engineer: Highland Associates, Inc.

Consultant(s):
Lighting: Brandston Partnership, Inc.

General contractor:
Tenant A fit out GC:  Richter+Ratner

Base Building and Tenant B space GC:  Sweet Construction Corporation

Photographer(s): Eduard Hueber / archphoto
 

Products

Structural system
Steel Frame with composite deck

Exterior cladding: Empire Architectural Metal

Glazing
Empire Architectural Metal

Doors
Entrances: Architectural glass and metal by Empire Architectural Metal

Hardware
Locksets: Hardware by Ingersoll Rand U.N.O.

Pulls: Custom door pulls by Empire Architectural Metal

Interior finishes
Acoustical ceilings: Luminous Ceiling by Deglas

Special interior finishes unique to this project:
Terrazzo floor by D. Magnan & Co.
Interior fire rated glass partition by Saint Gobain

Lighting
Downlights: Litelab

Dimming System or other lighting controls:  Lutron

Conveyance
Elevators/Escalators: KONE

Add any additional building components or special equipment that made a significant contribution to this project:
Existing stone restoration by L&L Stone & Tile

  • Vermont White Marble
  • Canadian Black Granite

Existing artwork restoration by Wilson Conservation and Artist Francois Guillemin

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Jennifer Krichels is a writer and editor who has been covering architecture, design, and urbanism for almost two decades. She is editor-in-chief of Oculus, the magazine of AIA New York. She also works with architects on projects including books, educational events, and research.

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