In the past few years, New York City has been valiantly trying to turn around its deserved reputation for treating innovative architecture like an exotic disease that should be stamped out by courageous developers, bankers, and government officials.

It wasn’t image consciousness or architectural publicity that convinced the board of the Hodgdon Powder Company to hire an architect to design its new production facility’s administration building near Herington, Kansas.

The wisest architects are often ones who do not hang on too long to their first scheme.

There’s nothing formulaic about the National Park Service’s new Craig Thomas Discovery and Visitor Center for the Grand Teton National Park in Moose, Wyoming. 

Silence and humility figure prominently in the Quaker way of life.

When Kuwabara Payne McKenna Blumberg Architects (KPMB) was offered the commission of designing a 14,000-square-foot expansion to Toronto’s Gardiner Museum of Ceramic Art, opened in 1984 as Canada’s only museum devoted to ceramics, KPMB quickly tapped long-time collaborator Suzanne Powadiuk Design to complete the project’s interior lighting design.