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A muscular concrete structure in Denver provides a calm and fluid environment for appreciating the work of a maverick 20th-century artist.

The centerpiece of the Crystal Bridges Museum of American Art, in Bentonville, Arkansas, is a vast room that rises in a graceful arc of laminated-wood roof beams and swells outward with canted walls of glass as it vaults a pond.

Preston Scott Cohen, architect of the recently opened expansion to the Tel Aviv Museum of Art, refers to the addition’s exterior as “the urban version” of the building’s Lightfall—the spiraling skylit atrium and circulation space that vertically connects the new galleries.

The atrium, or Lightfall, inside the just-completed Amir Building addition to the Tel Aviv Museum of Art serves much the same purpose as the space at the heart of Frank Lloyd Wright’s Solomon R. Guggenheim Museum in New York City.

Seen from the flat plaza that wraps around it on two sides, Preston Scott Cohen's radical addition to the Tel Aviv Museum of Art strikes a geometrically independent pose.

One of the country's “best” and “fastest-growing” cities (according to Bloomberg BusinessWeek and Forbes), Raleigh has a lot going on in and around its 144 square miles.

In the romantic version of the story, creative genius endures poverty in pursuit of a higher calling.

Remembering the dead and embracing the living are the twin forces driving the architecture of the National September 11 Memorial & Museum.

There is no denying that One World Trade Center (WTC), the 104-story tower now rising at the northern end of the Ground Zero site, is a tremendously ambitious commercial real estate venture.