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Home » Topics » Projects » Architecture Project Portfolio

Architecture Project Portfolio
Architecture Project Portfolio RSS Feed RSS

Giant Interactive Group

Morphosis engages landform with architecture to create a new kind of workplace for Chinese capitalism.
Cliff P
Clifford A. Pearson
January 16, 2011
No Comments

Corporate office buildings used to offer architects the chance to tap into fat construction budgets and make serious design statements.


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Brooklyn Bridge Park by Michael Van Valkenburgh Associates

Brooklyn, New York
Sarah Amelar
January 16, 2011
No Comments
Designers transform a defunct shipping complex and reconnect a city with its waterfront.
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Making it work

Joshua Prince-Ramus discusses the challenges and opportunities of working abroad.
Fred A. Bernstein
November 15, 2010
No Comments
Joshua Prince-Ramus discusses the challenges and opportunities of working abroad. Fred Bernstein: Did you work with a local architect? What do you look for in a local architect? Joshua Prince-Ramus: Due to the incredibly compressed schedule, we collaborated with a general contractor, moving directly from design development to shop drawings. The contractor would send drawings at the end of their day in Turkey; we would develop them and send them back for the start of their next day — it was almost a 24-hour cycle. On nearly all our other projects, we have collaborated with local firms. We seek true
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The Israel Museum

A modernist museum in Jerusalem is sensitively updated by James Carpenter Design Associates and Efrat-Kowalsky Architects.
Michael Z. Wise
November 15, 2010
No Comments

In the late 1950s, when Teddy Kollek, the future mayor of Jerusalem, first suggested founding a national encyclopedic museum little more than a decade after Israel won its independence, many thought the idea pure folly.


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Vakko Fashion and Power Media Center

REX recycles an abandoned structure and an unrealized design to create an original headquarters for a fashion and media company in Turkey.
Fred A. Bernstein
November 15, 2010
No Comments

Sometimes, form follows fortuity. In the 1990s, Rem Koolhaas developed an idea for a private house near Rotterdam; when that project was shelved, he adapted the concept to a much larger building — a concert hall in Porto, Portugal.


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Val Notre-Dame Abbey by Atelier Pierre Thibault

Saint-Jean-de-Matha, Quebec, Canada
Josephine Minutillo
Josephine Minutillo
October 16, 2010
No Comments
Pierre Thibault's pared-down architecture for a new abbey outside Montreal connects relocated monks with nature.
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Cambridge Public Library

Legible and Luminous: William Rawn’s pristine glass box for the Cambridge Public Library quadruples the size of the original historic building.
Joann Gonchar
Joann Gonchar, FAIA
October 16, 2010
No Comments

Anyone who doubts the relevance of libraries in the age of e-readers, amazon.com, and the iPad should visit the new central branch of the Cambridge Public Library (CPL), in Cambridge, Massachusetts.


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A Cluster of Hadid Projects Share a Particular Strain of Design DNA

Cliff P
Clifford A. Pearson
October 16, 2010
No Comments

Turn the clock back to 1999 and you find Zaha Hadid and her partner Patrik Schumacher working on a critical set of projects, four of which (including MAXXI) eventually got built and two that never moved off the page or computer screen.


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MAXXI/National Museum of XXI Century Arts

MAXXI: Zaha Hadid Taps into Rome's past while creating its most contemporary building in decades.
Cliff P
Clifford A. Pearson
October 16, 2010
No Comments

In Rome, history flows through every urban artery, providing a strong pulse to obscure outposts and tourist destinations alike.


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MAXXI: Open to the Sky

Josephine Minutillo
Josephine Minutillo
October 16, 2010
No Comments
Many museum buildings have incorporated systems that allow daylight to illuminate their galleries, but none as robustly as MAXXI, where almost every roof surface is glazed. To support such a roof above the museum’s winding galleries, whose bays average 40 feet wide, reinforced-concrete walls on either side sandwich a series of trusses. While these trusses run parallel to the gallery walls, transversal steel beams connect the walls. Originally conceived as a precast-concrete element, each of these longitudinal sections, typically six per bay, is composed of a steel truss encased in 1⁄2-inch-thick fiberglass-reinforced concrete panels. The nearly 8-foot-deep assembly, which rises
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