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Home » Authors » Suzanne Stephens

Articles by Suzanne Stephens

Lincoln Center Theater LCT3 by H3 Hardy Collaboration Architecture

New York City
Suzanne-Stephens
Suzanne Stephens
February 15, 2013
No Comments

Hugh Hardy's addition atop Eero Saarinen's Vivian Beaumont Theater provides a sleekly tailored coda to the New York City complex.


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Obituary: Ada Louise Huxtable, 1921-2013

Suzanne-Stephens
Suzanne Stephens
January 18, 2013
No Comments
Image Courtesy Dorothy Alexander Ada Louise Huxtable at her New York apartment on March 7, 1974. Everyone has a favorite quote from the architecture critic par excellence, Ada Louise Huxtable. A pithy one dates to 1973: “The let-them-eat-travertine perfectionism of SOM superstar Gordon Bunshaft is seldom less belligerently anti­human these days,” she wrote in the New York Times about an office building in New York. Huxtable, who died of cancer on January 7 at 91, brought architecture criticism visibility and influence at a crucial time. In the boom years after World War II, the banality of commercial Modernism, the demolition
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Perot Museum of Nature and Science

Sheared and Shirred/Surfaces and Solids: Thom Mayne and his firm, Morphosis, turn a corner for the Perot Museum of Nature and Science in Dallas.
Suzanne-Stephens
Suzanne Stephens
January 16, 2013
No Comments

'Forceful,' 'acrobatic,' 'muscular,' 'raw,' even 'gritty' are usually the operative adjectives to describe the architecture of Thom Mayne (2013 AIA Gold Medalist) and his firm, Morphosis.


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Gracia Studio

Jorge Gracia, who has located his office in the infamous town of Tijuana, is giving it a reputation for strong Modernist design.
Suzanne-Stephens
Suzanne Stephens
December 16, 2012
No Comments
Jorge Gracia, the 39-year-old founder of Gracia Studio, has quickly built a reputation for distinctive Modernist architecture in his hometown of Tijuana, Mexico.
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Behind the Scenes of 425 Park Avenue

Suzanne-Stephens
Suzanne Stephens
October 25, 2012
No Comments
The Making of a Landmark, New York Style Image courtesy dbox for Foster + Partners/L&L Holding Company An interior view of Foster + Partners' winning design for 425 Park Avenue.
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William O. Lockridge Bellevue Library

William O. Lockridge/Bellevue Library by Adjaye Associates

Washington, DC
Suzanne-Stephens
Suzanne Stephens
October 16, 2012
No Comments

Adjaye Associates tucks another library into a sloping site in D.C.'s Bellevue neighborhood.


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Francis Gregory Library by Adjaye Associates

Washington, DC
Suzanne-Stephens
Suzanne Stephens
October 16, 2012
No Comments

A library by David Adjaye fits into a D.C. park with serenity and dynamism.


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The Art of Presentation

Getting on the short list of an invited design competition is one thing. Nailing it is another.
Suzanne-Stephens
Suzanne Stephens
October 16, 2012
No Comments
Getting on the short list of an invited design competition is one thing. Nailing it is another. Photo courtesy MVRDV/Wieland & Gouwens MVRDV's animation for the China Comic and Animation Museum in Hangzhou helped get the commission in 2011. Does the best design always win a competition? Not necessarily. Vying for a commission is a tricky process, especially when you're up against a short list of your peers. Who can forget the impression that Daniel Libeskind made in the public presentation a decade ago for plans to rebuild Ground Zero? With less experience than the other six contending teams, he
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Ulrich Franzen: 1921—2012

Suzanne-Stephens
Suzanne Stephens
October 15, 2012
No Comments
Photo by Ezra Stoller © Esto Franzen's own home—in Rye, New York—was featured in the inaugural Record Houses issue in May of 1956. Ulrich Joseph Franzen, a prominent New York architect in the latter part of the 20th century, died after a brief illness on October 6 in Santa Fe, New Mexico, at the age of 91. After studying at the Harvard Graduate School of Design in the mid-1940s when Walter Gropius was its chair of architecture, Franzen became part of a cohort that would disseminate the Modernist vocabulary of the Bauhaus founder in the U.S. during the boom period
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Logan

Sheer Wall: The New York office for a production company exploits the architectonic potential of scrim.
Suzanne-Stephens
Suzanne Stephens
September 16, 2012
No Comments

How do you design a workspace that expresses the digital world of flux and virtual reality?


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