Fred A. Bernstein

“The acrobatic novelty of much of today’s architecture doesn’t interest us,” says Alejandro Guerrero. He and Andrea Soto describe themselves as traditionalists, with one caveat: their tradition is modernism.

The relationship between architecture and dance—the art of creating spaces and the art of navigating spaces—is fertile territory.

The performing arts center that was part of Daniel Libeskind’s original master plan for Ground Zero has come a step closer to being built, but at one-third of its original size.

Skidmore, Owings & Merrill’s United States Air Force Academy in Colorado Springs is one of Modernism’s triumphs — perhaps the most successful campus ever created as a single International Style work.

The organizers of the first Dubai Design Week chose as its opening night speaker an architect who has never built in Dubai, despite having proposed several projects there.

If you’ve ever felt like a slacker, neither of these books will help. You’ll know even before you open them—one weighs 4.4 pounds; the other, more than 7—that they represent thousands of hours of painstaking effort.

New Yorkers don’t mind being underground when the surroundings are as welcoming as Rockefeller Center’s concourse or Grand Central Terminal’s Oyster Bar.

For Ryue Nishizawa and Kazuyo Sejima, principals of the Pritzker Prize-winning firm SANAA, innovation can occur long before a building is designed.