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Home » Authors » Clifford A. Pearson

Articles by Clifford A. Pearson

American Architecture Today

Cliff P
Clifford A. Pearson
February 15, 2008
No Comments
Six critics examine the state of American architecture from their hometowns. Taking the measure of American architecture depends on where you look. What’s generating buzz in Chicago might not resonate in L.A. And the issues driving design in Miami might not mean much in New York. Although big-name, international architects are working all over the United States—Renzo Piano, for example, has current or recently completed projects in New York, Chicago, L.A., San Francisco, and Atlanta—smaller, domestic firms are playing important roles, too. This mix of big and small, global and regional is shaping the American architectural landscape. The projects shown
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Strickland-Ferris Residence

Frank Harmon raised the Strickland-Ferris Residence off the ground, then let its roof take flight.
Cliff P
Clifford A. Pearson
January 19, 2008
No Comments

A steep escarpment and a wooded site shaped Frank Harmon’s design for the Strickland-Ferris Residence in Raleigh, North Carolina.


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Moongyu Choi+GaA Architects Stacks the Deck With Multi-Layered Designs

Cliff P
Clifford A. Pearson
December 19, 2007
No Comments
No wonder concrete buildings dominate the cityscapes, and a muscular approach to space and form drives design.
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InterActiveCorp Building

Frank Gehry's first building in New York City, the IAC headquarters, pioneers a new neighborhood, eliciting positive and negative reactions
Cliff P
Clifford A. Pearson
October 19, 2007
No Comments

With its ethereal, milky-white skin and faceted curves, Frank Gehry’s IAC Building stands out against the heavy, industrial structures surrounding it on the western fringe of Manhattan’s rapidly evolving Chelsea neighborhood.


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Ginzan Onsen

Ginzan Onsen Fujiya by Kengo Kuma and Associates

Yamagata, Japan
Cliff P
Clifford A. Pearson
September 3, 2007
No Comments

Kengo Kuma wraps a hot springs hotel, Japan's Ginzan Onsen Fujiya, in screens as exquisitely delicate as a cricket cage.


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Peter Gluck Builds an Open-and-Shut Case for Inventive Design with the Inverted Guest House

Cliff P
Clifford A. Pearson
July 19, 2007
No Comments

I wanted to build a barn,” says Richard Yulman, the client for the Inverted Guest House in Lake George, New York.


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Olympic Sculpture Park

Weiss/Manfredi weaves the Olympic Sculpture Park and its mix of art and design into the urban fabric of Seattle
Cliff P
Clifford A. Pearson
July 19, 2007
No Comments

Architects talk a lot about “landscape” these days, using the word in so many different ways it’s often hard to know what they mean.


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George Yu, Vanguard Architect, Dies at 43

Cliff P
Clifford A. Pearson
July 17, 2007
No Comments
George Yu, a pioneer in digital architecture, died in Los Angeles of a type of lung cancer that afflicts nonsmokers. He was 43 years old. As both a designer and teacher, Yu helped shape the way that architects envision and use new technologies such as digital imaging and fabrication. But his work always kept the human user in the foreground, never turning technology into an ideology or fetish. He was able to do this, in part, by developing a keen sense for materials, light, and space. Photo © Gary Leonard George Yu Related Links: George Yu Exhibits in the 2004
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Fleet Library at the Rhode Island School of Design

Office dA inserts a new sensibility within a historic shell to create the Fleet Library at RISD.
Cliff P
Clifford A. Pearson
June 19, 2007
No Comments

How do you turn a Renaissance Revival banking hall from 1917 into a 21st-century visual-arts library and do it on a tight budget?


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Art Gallery of Ontario

Cliff P
Clifford A. Pearson
June 16, 2007
No Comments
Toronto, Canada Gehry International Photo courtesy David Thomson The late media mogul, art collector, and patron Kenneth Thomson David Thomson Clifford Pearson: What was your relationship to your father and this project? David Thomson: My father and I were very close. We both pursued art. It was an extension of our relationship. Frank and my father really connected on this project. The intensity of feeling between them was remarkable and is reflected, I think, in the spaces Frank created for the art. This was the special outcome of this project. Frank’s relationship with my father allowed him to take more
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