Edited by Lukas Feireiss, Introduction by Ole Bouman. NAi Publishers, 2011, 240 pages, $40. June 2012 This book profiles 30 progressive architectural projects from more than 15 countries in an attempt to demonstrate the productive potential of community-centered design. Editor Lukas Feireiss goes beyond curatorial norms by including the testimonies of people who have interacted with the finished buildings, along with full-page color photos, contextual descriptions, and mission statements. Testify! The Consequences of Architecture, edited by Lukas Feireiss, Introduction by Ole Bouman. NAi Publishers, 2011, 240 pages, $40. These interviews show how the combination of physical intervention and community programs
Thomas Heatherwick’s unconventional approach flouts design orthodoxy. A visit to Thomas Heatherwick’s London studio is like stepping into a Renaissance cabinet of curiosities—one of those idiosyncratic efforts to capture the wondrous variety of the natural and man-made worlds. Strange objects crowd the shelves and floor, indeterminate forms that might be product prototypes, scale models, or sculpture, hinting at the fertile imagination of a designer who transcends any narrow job description. For a New York City Longchamp store, Heatherwick created a series of curving, thermoplastic balustrades. Heatherwick set up his studio in 1994 fresh out of college, and he employs 80
Edited and with an essay by Susan Morgan. East of Borneo Books, 2012, 392 pages, $35. Affection isn’t a word often used to describe architecture criticism, but that’s the ruling emotion of Piecing Together Los Angeles, the first collection of the writings of California historian and critic Esther McCoy (1904-89). There’s McCoy’s affection for Los Angeles superstars like Charles Eames, Pierre Koenig and John Lautner when they were young and needed books like McCoy’s Five California Architects (1960) to give their work a backstory—and when they were old, and the world needed a reminder of their talents. (On Lautner: “Instead
Rem Koolhaas’s most recent publication (with Hans Ulrich Obrist) tells the story of Metabolism, a technocratic movement of the 1960s based on ideas of organic growth.
Edited by Harry den Hartog. 010 Publishers: 2010, 416 pages, $44. Related Links: The Vertical Village and How the City Moved to Mr. Sun This densely packed book presents a broad range of research on the remarkable growth of the greater Shanghai metropolitan area in recent decades. With more than 300,000 people moving to Shanghai each year, the city government is busy building satellite towns, some of which are themed on ersatz visions of foreign places. So today, you can live in or visit Holland Village or Thames Town. Other new towns, such as Qingpu and Jiading, employ more sophisticated
By Victoria Newhouse. The Monacelli Press, 2012, 272 pages. $50. You can’t count off four beats of a twelve-bar blues, let alone flip through an opera score, without being aware that time is one of music’s essential ingredients. Another is space, though notation reveals nothing about it. Harmony, rhythm, melody, and instruments are all negotiable, and shaped by the place where it’s imagined, performed, and heard. Slave songs were pitched to carry across an open field. Beethoven composed his Eroica symphony to rattle the walls of the Theater an der Wien in Vienna. Medieval polyphony depended on the reverberations of
Where there’s an architect, there are probably a few more—from the same gene pool. Architects beget architects, so it seems. Eliel Saarinen had Eero Saarinen. Two of Frank Lloyd Wright’s sons, Lloyd and John, became architects. Walter Gropius’s father was an architect. And if not begotten, then nearly so: Maya Lin’s architect aunt, Lin Huiyin, helped conduct the first comprehensive study of architecture in China. Charles Eames was the nephew of architect William Eames. Henry Smith-Miller, of Smith-Miller + Hawkinson Architects, could (and perhaps should) write a book about his family of architects, which stretches back, with baroque twists and
By Richard Olsen. Rizzoli, 2012, 240 pages, $45. Click the image above for details about book mentioned in this review. Handmade Houses takes us on a delightful journey back to the heady and rebellious days of the 1960s and ’70s, when green design—the world of reduce, reuse, and recycle—was sired. Its author, Richard Olsen, is a West Coast architectural writer and editor; he is also the grandson and great-grandson of Norwegian carpenters. This tale is a lot more than hippies and hot tubs, however. Olsen provides a thorough history of the owner-built, woodbutcher movement from places like Big Sur, California,
Monadnock Summer: The Architectural Legacy of Dublin, New Hampshire, by William Morgan. David R. Godine, 2011, 160 pages, $30. Tomorrow’s Houses: New England Modernism, by Alexander Gorlin. Rizzoli, 2011, 256 pages, $65. Together, these very different books on New England houses provide an intimate introduction to American domestic architecture and the values it embodies. Architectural historian William Morgan’s Monadnock Summer focuses on one quietly elite, very small town but explains how the buildings there exemplified some of the aspirations and achievements of the nation. Architect Alexander Gorlin’s Tomorrow’s Houses concentrates on houses in New England built between 1912 (Purcell &
The news that Paul Goldberger is leaving his position as architecture critic at The New Yorker to become a contributing editor at Vanity Fair has us all speculating about who—if anyone—will replace him. Who do you think should succeed him as architecture critic at the weekly?
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