This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
How far can you stretch the definition of architecture and its role in making the world a better place? According to the third Chicago Architecture Biennial, which opened last week, very far indeed.
A temporary show at Cité de l’Architecture et du Patrimoine pits modern furniture against casts of fragments from Medieval and Renaissance architecture.
A New York architect recalls an extraordinary birthday 45 years ago, when, as a young student, he met a constellation of Modernism's stars, all in a single day.
Well before her marriage to Eero Saarinen in 1954, Aline was a cultural force and vigorous defender of modern architecture, at a time when much of America was dubious about contemporary design.
This leading 20th-century reformer and activist helped introduce the socially minded goals of European architects to America through her seminal 1934 book, Modern Housing.
The architectural historian and critic's intelligence, style, commitment, and courage made architects and the general public pay attention to her words.