This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
Photo courtesy Eva Franch i Gilabert Eva Franch i Gilabert Following a four-month international search, the Storefront for Art and Architecture has named Eva Franch i Gilabert its new director. The announcement came on May 10, after the organization’s board vetted more than 70 contenders, according to Storefront’s Web site, acknowledging the “overwhelm[ing] breadth and depth of candidates who applied from around the world.” A Catalan architect, researcher, and teacher, Franch i Gilabert, 31, is founder of the solo practice OOAA (office of architectural affairs). During the past two years, she directed the Masters Thesis studio at Rice University, where
Since its start, in 2001, A+D Architecture and Design Museum has been a vagabond, migrating from one donated (i.e.: rent-free) space to another, staying for as long as three years and, once, unexpectedly, a single night. But the museum will finally wrap up that nomadic journey, on April 27, with the opening of its first permanent home, at 6032 Wilshire Boulevard, in Los Angeles. Image courtesy A+D Architecture and Design Museum A+D Architecture and Design Museum A+D was the brainchild of Stephen Kanner, FAIA, and Joe Addo, AIA, inspired by a design museum in Finland and their volunteer experience, under
Photo courtesy SCI-Arc Raimund J. Abraham Raimund J. Abraham, an Austrian-born architect and educator, remembered as an unflinchingly independent thinker, died in a traffic crash on March 4th. The early-morning collision between the car he was driving and a city bus came after the dinner following a lecture he’d given at SCI-Arc, where he was currently visiting faculty. He was 76 years old. Known for his bladelike Austrian Cultural Forum building [RECORD, August 2002], in New York, and his forceful, deeply textured, often visionary hand-drawings, Abraham was most of all a passionate and influential teacher. Closely allied with John Hejduk’s
Project Specs Les Bains des Docks Le Havre, France Ateliers Jean Nouvel << Return to article the People Architect Atelier Jean Nouvel Partner in charge: Mirco Tardio Project architect design: Julie Fernandez Project architect construction: Felix Medina Engineer(s): Sero Le Havre Consultant(s) Lighting: AIK Yann Kersalé exterior Acoustical: Avel Other: Alain Bony artist the Products Glazing Glass: Pilkington Interior finishes Floor and wall tile: Trend Plumbing Fountain: Futura Play Water Slide: Spot Adhesives: Cegecol
Through the lens of Julius Shulman—that’s how many of us have experienced the iconic mid-century Modernist houses of Southern California. Most famous for his portrayal of Pierre Koenig’s Case Study House #22, in 1960, and Richard Neutra’s Kaufmann House, in 1947, Shulman’s prodigious body of work is quintessential: luminous and memorably composed images, highly evocative of time and place. “He had an incredible eye,” recalls photographer Juergen Nogai, who worked closely with Shulman in recent years, “a vision for telling a story, sometimes in a single photo.”
Gwathmey Siegel and Associates Architects Gwathmey Siegel Associates sparks controversy with an addition to Paul Rudolph's Yale Art and Architecture Building. Though Paul Rudolph’s newly renovated Art and Architecture Building at Yale has emerged as an object of admiration, if not adoration, it generated controversy—as rough-edged as its bush-hammered concrete shell—from the moment it opened. Anticipated as a great heroic masterwork by the university’s gifted and legendary chairman of architecture, the Art and Architecture (or A&A) Building was greeted from its completion, in 1963, with a decisive mix of acclaim and disdain. While The New York Times architecture critic, Ada
Though Paul Rudolph’s newly renovated Art and Architecture Building at Yale has emerged as an object of admiration, if not adoration, it generated controversy—as rough-edged as its bush-hammered concrete shell—from the moment it opened.
