Articles by Clifford A. Pearson

Johnston Marklee Designs New Buildings for The Menil Collection

February 21, 2014

Museum to add a $40-million Drawing Institute and an energy-efficient power plant to its Houston campus. The Menil Drawing Institute, west façade as seen from the Energy House. At a news conference in New York in mid-February Los Angeles-based architecture firm Johnston Marklee presented its design for the Menil Drawing Institute (MDI), a freestanding addition to the Menil Collection’s 30-acre campus in Houston. The 30,000-square-foot structure will sit south of the Menil’s main museum building from 1987 and its Cy Twombly Gallery from 1995, both designed by Renzo Piano. Johnston Marklee will also design an Energy House, which will serve

WMS Boathouse at Clark Park

Stroke of Genius: Part of a mayor's push to make the Chicago River a public asset, an energetic building turns structure and materials into a graceful expression of the activity it houses.

Clifford A. Pearson

January 16, 2014

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A rower crouches with her knees tucked below her fists, then dips her oars in the water and pulls back. The lines of the oars sketch an elegant V in the air, which is repeated over and over as the slender boat cuts through the water. Jeanne Gang thought about such movement when she started designing the WMS Boathouse at Clark Park in Chicago.

Clifford A. Pearson

January 15, 2014

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Herzog & de Meuron’s design for the M+ museum in Hong Kong. An exhibition examining plans for M+, the new visual arts museum scheduled to open in Hong Kong in late 2017, is on display through February 9 at ArtisTree, a multipurpose venue on Hong Kong Island. Curated by Aric Chen, who is the new museum’s curator of design and architecture and an international correspondent for Architectural Record, Building M+: The Museum and Architecture Collection looks at designs for the institution’s building and some of the items that will fill its design and architecture galleries. Last year, an international jury

Clifford A. Pearson

December 30, 2013

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The fifth edition of the show takes on urban questions against the backdrop of China’s rapidly changing cities. At the entrance to the Value Factory site in Shenzhen, Noreen Heng Liu of Node Architecture designed a restaurant standing on columns above an existing concrete structure.

William O’Brien, Jr.

A teacher and practitioner challenges accepted notions of balance, reality, and narration as he establishes his small firm.

Clifford A. Pearson

December 16, 2013

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Cerebral and fluent in the language of ideas, William O'Brien, Jr. has moved skillfully within academia and the art scene while slowly establishing a practice that will allow him to build too.

Clifford A. Pearson

November 15, 2013

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For the new campus of a business school in Vienna, six international architects design a series of innovative buildings. Photo © Iwan Baan Angled at 35 degrees, Zaha Hadid’s 300,000-square-foot library and Learning Center asserts itself on the central square. The campus sits between the rectangular buildings of the Messe Exhibition Center and Prater park The challenge was daunting: plan, design, and build an entirely new campus for the Vienna University of Economics and Business in just five years. With 25,000 students, the school had outgrown its 30-year-old home in the city’s Ninth District and decided to move to a

City Library

Out from the Master's shadow: Just as Alvar Aalto pioneered a softer, less severe form of Modernism, a young Finnish firm innovates with social spaces that point a library addition—and a small town—in the direction of the future.

Clifford A. Pearson

October 16, 2013

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Designing an addition to an Alvar Aalto building is hard enough—try doing it with five other Aalto structures hovering nearby, in a Finnish town whose identity has been indelibly linked to the master since the 1960s.

Clifford A. Pearson

October 4, 2013

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Odile Decq and Thom Mayne Watching the presentations at this year’s Monterey Design Conference in northern California, attendees got a multiple-image portrait of architecture in the early 21st century. Elegant buildings with refined details alternated with exuberant installations that relied on digital know-how and student labor. Snapshots from Arkansas, Minnesota, and California appeared between reports from France, Japan, and Brazil. And a tribal elder told stories of working with Louis Kahn, as newer members of the profession listened raptly. More than 600 people gathered at the Asilomar Conference Grounds in Pacific Grove at the end of September for the event,

Clifford A. Pearson

September 16, 2013

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Architects Hitoshi Abe and Peter Ebner help 3M rethink the way its employees work, taking the company and its headquarters on a journey from the past to the future. More than just Post-it notes and Scotch tape, 3M produces a vast array of items—electronic stethoscopes, solar mirror films, abrasives—and likes to think of itself as an innovative company. But until recently, its headquarters in St. Paul was stuck in the 1970s, its offices a throwback to an era when you programmed a computer with punch cards and used a slide carousel for presentations. This time warp separating appearance and reality

Clifford A. Pearson

August 16, 2013

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By Vishaan Chakrabarti. Metropolis Books, 2013, 252 pages, $30. Bright Lights, Big Cities Architect, planner, and one-time developer Vishaan Chakrabarti asks us to imagine a United States in which government invests in high-speed trains linking high-density cities and does not subsidize suburban sprawl. He admits this sounds a bit naive in an era of political paralysis and at a time when the middle class and wealthy—no matter their political affiliation—enjoy perks like the mortgage-interest deduction that help perpetuate the status quo. But he builds his argument with straightforward prose and lots of easy-to-read charts and graphs. Hyper-dense cities are more

NOW ON DEMAND

Credits: 1 AIA LU/HSW; 1 AIBD P-CE; 0.1 IACET CEU
May qualify for learning hours through most Canadian architectural associations

This presentation will explore fresh, new innovative concepts for appropriate systematic solutions, as well as guidelines and recommendations for the housing of these resources.

Credits: 1 AIA LU/HSW; 1 AIBD P-CE; 0.1 IACET CEU
May qualify for learning hours through most Canadian architectural associations

This course will review the latest standards in glass entrance design along with key considerations for hardware selection across various applications including storefronts, point-supported glass walls and transoms with floating headers.