This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
Washing, dusting, scraping, patching, and other overlooked acts of upkeep triggered Hilary Sample to direct her attention toward a subject at once forgotten and self-evident.
While all buildings are subject to the decay and ruin brought by time, historian Daniel Abramson is concerned in this book with a different culprit: obsolescence, or the process of becoming “obsolete.”
There's something funny about architectural theory. It takes the building—one of the heaviest and most solid artifacts of human production—and evacuates it of any relation to the physical world.
By Witold Rybczynski, Farrar, Straus and Giroux, October 2013, 368 pages, $27. Sense and Sensibility in Design Today At several points throughout his new book, Witold Rybczynski invokes Steen Eiler Rasmussen's classic text Experiencing Architecture (1959). Rybczynski, until recently professor at the University of Pennsylvania, has served as an architectural critic for an array of publications. When he studied architecture in the late 1960s at McGill University, he tells us one of his teachers was a Rasmussen disciple. In How Architecture Works: A Humanist's Toolkit, Rybczynski follows faithfully the central tenets of his predecessor. Both books organize architectural design into
By Rowan Moore. Harper Design, August 2013, 400 pages, $30. The View From Across the Pond As he indicates in the title of his new book, British architecture critic Rowan Moore sets out to joust with Big Questions. What is the relationship between political and economic power and architectural patronage? How does active human desire translate into the latent desires embedded in architectural space? What is the relationship between the longing for home and the urge to wander? In addressing these concerns, Moore revels in ambiguities, selecting examples to support widely differing interpretations. Drawing mostly from the 20th century, he
