Pierre Chareau made a lasting name for himself in the annals of architectural history with one seminal work, the Maison de Verre in Paris, completed in 1932.
For more than 60 million refugees, asylum seekers, and internally displaced people around the world, “shelter” has been experienced through relentless movement and escape.
The Glass House is polka-dotted no more, as Japanese artist Yayoi Kusama’s month-long installation, Dots Obsession – Alive, Seeking for Eternal Hope, at the New Canaan landmark has drawn to a close.