While the Yale School of Architecture is one of the leading architectural education programs in the country, it is—probably to the surprise of many—much younger than similar programs at universities with whom it shares top billing.
The New York architecture community has been in a swivet since the posting of an article titled “MoMA to Abolish Architecture and Design Galleries” in Architects Newspaper on April 12.
Ai Weiwei, China’s most famous living artist, is not a licensed architect, but he sure acts like one: He designs buildings, creates gigantic site-specific installations, organizes art exhibitions, and makes works of art constructed like houses.
Named for the visual phenomenon of a mirage suspended just above the horizon, the installation Fata Morgana by Brooklyn-based artist Teresita Fernández hovers above New York's Madison Square Park.
Currently on view at the Fondation Louis Vuitton in Paris is Olafur Eliasson: Contact, a monographic exhibition devoted to the internationally renowned Danish-Icelandic artist. In his show, which closes February 16, Eliasson explores the mysterious spatial effects of electric light, mirrors, and other materials to superbly complement the architecture of the strikingly sculptural building designed by Frank Gehry.
The Immersion Room on the museum’s second floor features more than 200 examples of the Cooper Hewitt’s collection of wallcoverings, and allows visitors to select their favorites or draw their own designs, and then project them onto the gallery walls. There are “super-high-definition smart tables”—glass touchscreens mounted on aluminum pedestals—throughout the newly renovated Cooper Hewitt, Smithsonian Design Museum in Manhattan. By running their fingers across the tables, visitors make shapes that are then displayed as hats, lamps, tables, vases, chairs, or buildings. During the museum’s opening week earlier this month, the system attracted the attention of everyone from a 4-year-old
New York’s American Folk Art Museum unveiled 'Folk Couture: Fashion and Folk Art,' an exhibition of couture fashion creations framed by the work of fabrication-focused architecture firm Situ Studio.
Highlights from architecture photographer Iwan Baan's oeuvre are currently on display at the Perry Rubenstein Gallery in Los Angeles. The exhibition, titled The Way We Live, features over a dozen projects, including Baan’s blockbuster photograph of a dark lower Manhattan after Hurricane Sandy that appeared on the cover of New York magazine. Click through the slide show for a sampling of Baan’s projects, which range from Toyo Ito's Mikimoto Ginza 2 building in Tokyo to Torre David, a skyscraper-turned-settlement in Caracas, Venezuela. The exhibition runs through April 13. Iwan Baan, Dubai #1, 2010, Digital C-Print, 48 x 72 inches