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Ishtiaq Jabir Rafiuddin’s Detroit studio takes on inexpensive and gritty projects that transform long-abandoned structures and introduce exciting new construction.
Detroit was never a beautiful city, but it had a muscular grandeur—broad boulevards radiating from its riverfront core, stolid stone-faced office towers crowding its downtown streets.
This book, edited by Amy L. Arnold and Brian D. Conway, makes the case that Modernist architecture and design was developed in Michigan, not imported from Europe.
