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Swiss architect Peter Zumthor’s controversial design for LACMA has turned into Los Angeles’ most serious cultural issue in the last decade, writes commentator Joseph Giovannini.
The Swiss architect Peter Zumthor may have just spilled the beans about a radical overhaul of his scheme for the Los Angeles County Museum of Art (LACMA).
Architecture buffs will likely know the Sheats-Goldstein Residence as John Lautner’s Beverly Hills space-age masterpiece. Others may recognize it as pornographer Jackie Treehorn’s pad in the 1998 Coen Brothers' film, The Big Lebowski. Beginning today, the Los Angeles County Museum of Art (LACMA) will consider it an impending part of its collection.
Model of Peter Zumthor's scheme for LACMA. Installation view. The Presence of the Past: Peter Zumthor Reconsiders LACMA, June 9 - Sept. 15, 2013. The Los Angeles County Museum of Art (LACMA) has long been due for a major overhaul, according to its director Michael Govan and the Pritzker Prize-winning architect Peter Zumthor, who has been commissioned to re-think the museum’s east campus. “If you were to restore it, it would not really work because I think it never really worked well as a museum,” said Zumthor at a packed public conversation with Govan at the museum on Monday night.
Michael Govan, director of the Los Angeles County Museum of Art, created a buzz in museum circles earlier this year when he expressed an interest in acquiring canonical, Midcentury Modernist houses for his institution's collection.
